odradek

I have it on vinyl. I never play it, u bucu. I'm too old for this Foetus(o)-Fest, you scared me. To kill ammia? - But yes, what you say is true, it had style, it did. - P.S. 2227 characters excluding spaces. What are you doing, stretching it out? :)))))

A quick greeting and thanks to you, gentlemen. I will return (with a bunch of samples) as soon as possible, also to go through the many new reviews on the homepage, where the very welcome return to full activity of J.o.P. is confirmed (I find it hard to even imagine "arguing" with him). Bai bai

Isis, I really just need it to contain a song like "Madre." After all, I made a vow, but a bit of affection can't be erased. I agree on the overall superiority of Epica, but there are some episodes of this that I still really like today. Then there's a difference in perspective, I believe, between those who have lived their arc "live" from the beginning and those who observe it now, from a distance and with a complete overview. The vote is always influenced, despite good intentions, by everyone's subjectivity. Well, you're right. I'll remove the "abundant": a 4-, there you go. - P.S. of course, in '89 talking about new wave is stretching time a bit... And also regarding the "new wave italiana" like Festwca, I have more than one doubt. Which would that be? Gaznevada? The first De Novo? Detonazione? Diaframma? Panoramics? Neon? The first Bisca? I don't remember much else, and it doesn't seem to me that, aside from a couple of names, anything was produced that wasn't strongly derivative of English or American models. Bye.

Not 5, because I made a vow to the Madonna and I don't let myself be too tempted by feelings. But a strong 4 for sure: between the religious essentiality (in its purest sense) of "Madre", the amused pop punk vein of "Huligani dangereux", the simple and sturdy beauty of "And The Radio Plays", once again the C.C.C.P. couldn't care less about the expectations of an audience that, while misunderstanding the sense of the iconography and mythologizing them, simultaneously expects the reproduction of what it has already heard. And ends up defining as banal what is essential. Tons of records that even here on DeBaser appear surrounded by stars would fall below zero if this meant 2. As far as I'm concerned, all those by Litfiba, mentioned here for an analogy I don’t recognize. And anyway, just for "Madre" this album deserves to be preserved, let alone 2. And a sea of fluff that I see daily being "re-evaluated" can safely return to the oblivion it deserves. Naturally, this is a strictly personal opinion.

The debutant:)Grass. + S.Rollins + J. Hall = absolutely worth listening to.

This audience will be enriched with presences, Sfascia. Everyone stand up for a deserved tribute to this antidote in the form of a page against the recently rampant infantilism in DeB. I do not own this box set, but I have several vinyl records of his where “the audio quality is very ’40s” shines with a brightness that mocks for eternity the hi-fi idolaters, who listen on expensive systems to surrogates of music that barely touch the soles of Bird - Finally, I would like to suggest to Antmo that when citing Cortázar, it wouldn’t hurt to mention the title of the book built around the idea of a man and musician that he felt was perfectly embodied by Parker. Also because it is certainly recommended reading for anyone who loves great music and great writing. - Congratulations, Stoopid, also for that closing :))

ENOUGH WITH THOSE DRUMS!! GUARDS, TAKE HIM AWAY!!

And stop with those tamburelli!!!

...the cover is beautiful in its ugliness, those collages I used to make too, campari soda + blood orange + ice - zzzzzzzzzzzzzzzzzz dixit / yes, it happens that they become beautiful by virtue of apparent ugliness. Mysteries of taste. - Odra agreed. - Hi, MEGAFUZZU. Thanks for the visit.

Yeah, the fifty. Platinum record at your place, planter on my little terrace? Damn, I just made a good joke...