odradek

Here are the sempols

Ghemison, write about Rhys Chatham.

There is an OBVIOUS contradiction in terms: that "dear friend" cannot be followed by what I read next. So I choose to shove brotherly affection in a random orifice. With affection, mind you.

@zzzzzzzzzzzzzzzzzzzz: oh.. - @Charley: don't do that, you're making me blush.. - @Trellheim: Ramona Cordova meets Ramon Diaz: Now The Balls Of The Boy Are Floating Freely - @Dexter: ??? - Sfascia: qolapasta forever! - @Loriscool: more like little ones than poor ones. A bit true, a bit not. They don't break because they're designed to travel together, they're minimal. It can be unbearable. But you know how it is when there's a feeling. - @Gabbox: the name already "sounds" flammable... I’ll see if I can add something to the lyrics when I have time. - @Josi: welcome back! I don't know...maybe too "simple." You'll tell me (believe me, faith demands patience:))) - @Lello: Hi. If you get the chance, let me know what you think of it? As I said, it's a little page of ultra flow, who knows how long this infatuation will last. - @Stoopid: the record was brought to me by a little fairy. Then she took it back. She told me not to say too much because a little mystery is needed in fairy tales. Even the samples were made by her. She's working a lot, that little fairy.

@Mauri: Discreetly fucked-up days happen, thank God. How else to break up those absolutely fucked-up ones? I’m not jealous either, darling. But don’t get caught, it’s better. - @Antmo: don’t say "I care." It sounds too brotherly. I care about libido, megafuzzu. And you know it. - @Socrates: I remember that goal. But it’s not like Ramon left a big mark on the unfortunate Inter history. Beautiful The Ball Who Floated Freely! - @The RealRamona: Everything is possible but nothing is real.

Sooner or later (sooner or later when night falls) the sample train arrives. Now, a shout-out to all the DePassanti with a few clarifications: - The vote is more than 3. The vote is 7. - No, Festwca & Josi, I wouldn’t call it nostalgic: it’s like taking a leap back in time. You can picture yourself listening to the concert, right under the stage, and you see how much you enjoy(ed) it and you know it’s you. But you’re not you anymore. Perhaps the reference to tenderness seems nostalgic: in reality, it’s more about the figure of the guy, that way of making an album, after the quick rise and the breakup of H.D. - If there’s cheering to be done, I cheer for Hart. Mould is more static, the subsequent albums increasingly predictable. Nova Mob is hit or miss, that’s what I prefer. - @Socrates. I had thought about linking your piece on Warehouse but this time the editor who usually handles my little pages was absent, and the one who edited the page opted for Scaruffi(?!) If any other willing soul is listening, they could do it... - @Burns: a bit rigid your schematization... maybe also true, but I don’t think it can be simplified like that. We are strange animals, us humans. - @Pretazzo: no way, I was already old... Honestly, I don’t remember if there was a big crowd. The venue holds about 1,500/2,000, I think it was pretty full, and there were all the usual faces. So many bands passed through in the '80s that you would have wanted to see :))

Well, the thing about deserving to be on the right for the DeGenere is a bunch of nonsense. Amusing, but still nonsense. Of course, if you only read the title and the description, you might get confused. The monosample confirms what I remembered about his other stuff. Definitely an album to listen to; I think ZiOn will appreciate it a lot. The offer to switch spots is always valid. Punk and at the helm.

I quite like it, between a 3 and a 4. I haven't listened to it much, but I know I'll put it back on every now and then.
Also, Ghemison's page slides away toooooooo smoothly.

I don't know the album, but the page is beautiful, wow. What is she doing over here? I propose moving one of my pieces to make room for her.

:)))