odradek

Yes, beautiful biffa, the guy. The record seems light but tasty. Are you treating us to some little bits?
- Campagna Samples 2006 -

Jurgen Rosenthal was the drummer of the Scorpions. I’m changing three cards. - Madonna (since we're at it) Robert, <the redemption and purification of mankind> even. Let me unload, you never know...

@Fidia: if you click on "here" you can listen to it all, track by track. Then let me know what you think - @Maledetta: did the Neapolitan girl not work out? The guys are pretty good, come on... - @Sfascia: I'm not sure about the number of lines, but it's true they've sprung up like mushrooms, the new new ones, don't you think? Even without wanting to, you'll bump into someone while wandering in the ether...

Well, I don’t know if you were referring to me, but I suppose you were, given that you already mentioned Zelig with the Lexus and your repeated clarification ends up linking the comments, and it seems to me that there’s no reason for that, considering the different nature of them. I have never considered the term reductive or slanderous, and I certainly do not associate it with Zelig. And I saw Jannacci live for the first time about thirty years ago. Anyway, I will avoid using it, if it creates so many misunderstandings. I see that you agree on his position of "border," even on the ridge between laughter/crying. Those are the elements that, in my opinion, are worth reflecting on. Best regards.

Well, you must have noticed too, Primiballi, that only the other two appear on the card. Those were the ones I was referring to, obviously. I had actually forgotten about your lovely page, which introduced me to a great album, and I apologize.

Curious that of C. Baker, in DeB, there are three so-called "minor" and "anomalous" records. This, judging by the usual precise and delightful description by Primiballi, is perhaps the one that intrigues me the most. Then the year is undoubtedly one of the most wonderful of the last century :)) Even in this case, I cannot fully agree with the reviewer, but it is a relatively small part of a journey otherwise truly rich in gems, having listened to live recordings and stories from musicians who shared the stage with the ghost of Chet during the last years of his career. The eagerness that Punisher finds (somewhat naively astonished) in the biography was total, (the stuff, at those levels, is like that) and it had burned every possibility of life for the great musician that was within him. I'm afraid that in those years, rarely did what he touched turn to gold.

A work of Sfascesca dissemination that also touches on tourist promotion. To be honest, dear stritolatoreo reviewer, I am not familiar with Coleman’s very recent production, but previous listens to the material produced with the Five E. have left me with impressions of fluctuating brilliance. I believe this was partially perceived by your refined ears during the narrated performance. I am very curious to read your DeNote regarding the W.S.Q. and I await with confidence.

I was already very curious about what I had heard about the site, after Sickman’s review of "River T.H.S.", but I couldn't find it. I'll keep trying for at least one of the two. By the way, have you heard the one from '04? Which of the two do you recommend?

Nice, isn't it?

Oh, John! My Hilde.... I never would have thought to find her on DeB. However, I often thought of trying to bring her here. But I always imagined a page that could replicate the effect I experienced discovering the incredible human and spiritual journey, driven by a faith, a vision, and a determination that defied an unimaginable historical context, through the legacy of her music. And none of the attempts had even come close. But I should have imagined that sooner or later you would have thought of it.