odradek

Kosmo: don't say it to me. You have to tell me about the big Swiss nose and the little Lombard.

Odra had also understood, Qzerty. Odra was already happy that Jon has magnetism and a stealthy step :)

You’re a connoisseur, I see. Indeed, I’m a bit tired of the excessive glossiness of Jenna’s products too. I prefer the rustic homemade style of Livia, the amateur low-fi, the hard neorealism, in short :))

Yes, yes. You're right, Leonid, it's an age-old story. And I honestly don't care much. I already try to avoid the word art, and when the mission is to extremize, it often becomes interesting for them and increasingly less enjoyable for me. Except for a few cases, generally rare. Returning to ciccioSpencer, it’s probably because I don't expect anything from guys like him other than variations on the theme, with at least a minimal dose of talent and personality, which is more than enough for what I feel (the intentions you see in him are another matter, which I wouldn't know how to deduce). And then, thinking it over, despite the mitigating evidence provided by Qzerty, a bit of arrogance is essential, come on, he’s a rockstar, right? But when you think of someone you like, let us know with a review, come on. You were the one from the Sukia, right? I dug out the CD; I had underestimated it a bit. - And kudos for the skeda, which starting 'si furiosa arrives, ohibò, at Cimarosa!

Leonid, just like that. However, while the stereotype of engineers you present is quite accurate and definitely amusing, it curiously resembles others, embodied also by those who "have the courage to go all the way." It remains to be established where the end is, why we should always think it is the only worthy destination, and why settling in other areas seems, in itself, a liability. In short, I agree with your, as usual, effective description. Not the judgment that seems to stem from it, because there are many things about Jon that I like, period. Even though I never felt any thrills of any kind for leather pants and engineers with "tragressive" quirks. As for the arrogance, I wouldn't know, not having had the pleasure. But that, generally, is quite common among the small idols of "rock."

Kazzo, Kosmo. But why don’t you turn to Love&Music&Love? Your (erotic) dream is just a mouse click away.
Of course, you’ll have to wait a bit; the beefcake is quite in demand, but in the meantime, browse the database... By the way, how did it go with that big Swiss nose and our friend? Did you put them in touch?

Oh yes, a nice little trip. Which will reach its peak in the upcoming U.F. Orb. This, despite the tracklist in the sheet showing only one, is a double CD that is worth the expense. I abandoned the spaceship after Orblivion, good but not essential. For Adventures, I’d give it a solid 4 (considering my very personal conception of the use of electronics, "dance," and dub). Perhaps, since this is the only review about the Orb currently in DeB, it deserved a bit more context regarding their "story." But the described feeling is appropriate and conveys the idea.

But in the end, Qzerty, is this Spencer a hottie or what? I mean, does he have that animal magnetism, in addition to the elegance in sipping Raffo? :)

I forgot the vote

I don't believe the album should be credited to Area: it obviously doesn't appear in their official discography (www.fariselliproject.com). It clearly seems to be attributed to AA.VV., as shown in the tracklist of the entry, which however only works for the first CD) since it was indeed a concert to raise funds for Demetrio, turning into a posthumous tribute. I remember the event, which I couldn't attend. And perhaps it's better to leave the review with this heading, so it appears alongside those dedicated to Area's albums.