odradek

Look, Mariaelena, I still feel a strange sense of dizziness while reading the carousel of words that your sentences create, but this time you’ve struck a very sensitive chord. This album reminds me of a dear friend who fell in love with it and to whom I gave it. The main quality is its freshness, which seemed particularly present in the Scottish land at the time in the pop-rock scene. In the wake of the memory of very distant listens and the musical landscape of that era, I feel compelled to share the 4 that you’ve assigned to it. Not that "punk" you attribute, somewhat thoughtlessly, to their "primordial charge". But the rest of your acrobatic syntax conveys the idea fairly well. Simple yet refined: I had a small debate with A. Campo, who, in a review, used the definition of "teen pop", if I remember correctly. The album showcased rather mature qualities, even though I believe they split up after a couple of albums. Great retrieval. Bye.

Always choose wisely, huh Grass.... And always that meticulous care in the text, that regular and descriptive rhythm. Well, the surprise would be a bad page. - Sphascia, if you love it, get it. And while we're at it, listen to the version of Nightfall from the homonymous album with John Taylor, which I will never stop suggesting, released last year, I believe. Just Haden and Taylor's piano. Rarefied but ....

What have you dragged me back to? I still have the vinyl, but who knows how long it's been since... Well, however, a 5 seems a bit excessive. Good job, original, fun. A solid 4 and a good dusting off are well deserved. Damn, the Redskins.. :)

No, you misunderstood, we were joking. I don’t know anything about it, but the internet allows you to scavenge bits of information in the blink of an eye. And discover that there are six copies of the record available for €4.65 each on Priceminister! I’m not familiar with that site, but it’s a risk worth taking...

Ullapeppa, I'm looking for it immediately. You've been very effective, Vì. Just a little question: what is enoteism?

Sanjiuro, they weren't poisoned, I believe. Just a bit heated, but that happens when we discuss things that we "care" about, right? As for Carmelo Bene and the overused quote about the "stone," that television appearance is the worst memory I have of him, bordering on pathetic. Of course, in such a context, he still shone, but I don't think I'd want to see it again. Much more interesting, however, were the recordings of Deleuze's lectures that aired late at night on Raitre. Even though you can feel the air of a definitively dead time. Bai bai.

:) I believe so, Socrates. From the detached DeSede section of "Chi l'ha visti?": Eg White continued to write songs. "Recently": in 2002 a single for Alison Moyet, a single from Joss Stone's good 2nd album, as well as, in part, "Shiver" by Natalie Imbruglia. - Alice White, after a "jump" of a few years in Los Angeles, returns to London and collaborates with James Lavelle on UNKLE's album Psyence Fiction. In 1999, still in collaboration with Eg White, she had released the album Hang Over. With a bit of patience, you can discover something else online. She has a face that I like. The album you present, Sylvian, is considered an excellent record by many. I'll look for it.

I’m hearing the first notes of "Live your myth in grease" from their site and I already like it. I'll take it. I thank Messer Sphascia.

It's not so much that there are only two instruments, but rather that the pieces have structures played on variations within a few and repeated modules - Thank you - Yes, hello.

Beautiful, beautiful that collection; this one of the three is perhaps my least favorite, but it’s still a nice feeling. As mentioned elsewhere, it’s natural that for the most prolific songwriter of the twentieth century, a few not-so-perfect pieces might slip through. And in fact, the limited knowledge of French is quite a handicap for the listening experience. - Always delicate and spot-on, the pages of Morningstar.