odradek

I hadn't realized that this review was yours. After seeing the name of the group, I moved on. It seems like you liked them... and to think it doesn't really sound like Panamanian folk music. Now I'll Google and give it a try.

:) I too have reassessed it in my later years. And since I am ahead of you in time, I have delved into the complete discographies of Natalino Otto and Valente (whom I already liked, but now I worship). Do you know that I listen to you from time to time? You're good (even though I have never dared to write even a line about someone I "know," it’s impossible for me). Have you done other things?

I listened to it again. I can say it: a bad album.

I hadn’t read this one. It’s always pleasant to read Donjuno and always spot-on pages. Even though I didn’t imagine these could be his cup of tea.

:)) - But did you end up buying the Kula Shaker album? Did you have to go to Milan (with your fur coat and hat, which is always freezing cold there)?

Hi, Know-it-all. How's everything? - @Gustavo: I appreciate the reverence, but you can use the second person, there's no need to address me formally :))

Well, he ended up playing on a Lubricated Goat record, Tod. And also with Foetus. Can you recall the name of the band that was with Uzeda, Sphascia?

All my solidarity to Lukin, who has shown a supreme form of love that I couldn't even imagine: rather 2 hours of D'alessio. And even though I haven't listened to him in a while and anyway the 5 won't slip away from me, I agree with the considerations about this album that surprised me with its very good average quality.

BELEGURTH, I hope you don’t take it the wrong way, but I read some of your responses and, in one of them, the statement "I study art." Well, it’s starting to become concerning, especially since, given your insistence, we can be sure you weren’t joking when you claimed there’s also technique, etc., etc. So, it must be said perhaps more clearly: that stuff, that painting (and others of his that I've seen are even worse) is ABSOLUTE CRAP. No ifs, ands, or buts, and without appeal. Not because I say so, mind you, but because the painting itself says it. This doesn’t exclude the possibility that you might like it and that Jurix, after winning it with a careful offer, enjoys its view near the fireplace or in the fireplace, where, perhaps burning with additional glimmers, it would enrich his "nuances." With affection, always yours, adevoto.

@Aries: it's that it's difficult to make public the conditions of those dying, except in rare cases.... And the occurrence of passing away is not always a guarantee: it seems, in fact, that before moving on to a better life, even those who died were living writers!