ajejebrazorf

The bronze ballet has nothing to do with it, for example. I’ll repeat what I wrote above, maybe you missed it: "No, you say you don’t like Morphine because you don’t like Sandman's voice. Damn, I can understand that, but if you give a 5 to the ballet, it means you overlook the quality of the voice, and then you should do the same here. Or the other possibility is that you like Leone's voice more, and then it becomes serious." As you can see, it’s relevant. I didn’t say I adore Leone’s voice, I wrote what’s above.

what things that don't matter at all? What unfounded comments? And come on, what 5 minutes? If I got points for every "I won't respond to you anymore," I’d already have won a nice duffel bag! Give me a break! :)

Are you and I done? Time for some reflection? Come on, pull yourself together a bit! You comment, I comment, do we want to weave a melodrama too? (Someone else would have simply written "who the hell are you," but I’m decently a gentleman, and besides, I enjoy commenting wherever I can). Excuse me, now you’re playing the victim, but no one forced you to comment on an album you’ve only listened to once! You comment, and others respond to you, I didn't even know who you were. Anyway, I think it’s the fortieth time you’ve told me that you won’t respond anymore between one review and another. And nobody expects your responses, but if you write crap and I read it, count on it that I’ll have quite a bit of fun commenting on it! But not because it’s you; it’s because the deep essence of debaser is to reveal the great truths about music by responding to nonsense :D

Aside from assessing the warmth of music as if it were a quality, as if we were talking about radiators, we all come off as a bit ridiculous. However, Yes isn't exactly something that melts your heart like Nina Simone in terms of approach, huh.

false about what? No, you say you don’t like Morphine, that you don’t like Sandman’s voice. Damn, I can even understand that, but then if you give 5 to the ballet it means you overlook the quality of the voice, and then you should do the same here. Or the other possibility is that you prefer Leone’s voice, and then it gets serious! And now I’m going back to listen to my rock bottom.

I mean, you like Portnoy, you like Bruford, you like the drummer from Can, who, besides their talent, really sound cold, and you say that the drummer from Morphine is cold?

Now, I don't want to say anything foolish, but it seems to me that the drummer (I can't remember which one of the two) played in a jazz band before Morphine, despite the coolness. Now, tastes are tastes, but preferring the ultra crappy voice of Balletto di Bronzo to the warm, baritone voice (uhh, I'm getting all excited) of Sandman is quite a leap, isn't it? What did Caz use to say? Tastes are tastes, but some have shit tastes :) Jokes aside, you are way too biased, and beyond that, too hasty. I understand that you are a fan of flashy stuff (look at the ever-flashy Mahavishnu), and Morphine, which also have three instruments and therefore little timbral variety, despite their great imagination (you understand later how varied Morphine's music is, despite an initial impression of monotony) don't do much.

"I didn't make the factions, but history did," oh sorry, so any progressive Italian nonsense, in your opinion, is worth more than this. Very impartial, huh. Anyway, you're free to feel what you want, it's just that before you speak, you should listen a lot more. The Morphine are not an flashy group; even though they do something that has never been heard before, they do it in an absolutely classic way. What remains are the songs, the writing skills, the dynamics—much more than any gratuitous experimentation that might strike at first but leaves little or nothing afterward. But you understand this over time, and I believe for everyone, not just for those who, like me, are slow to grasp music. You certainly can't appreciate Morphine in one night and with just one album.

Are we incompatible? I like Wyatt, Pink Floyd, and a lot of prog. Do you find them terrible? You simply have the tendency to make judgments too quickly about things you know little about, because you see the music of the pre and post-77 eras as opposing worlds, and you root for one of the two factions. I, on the other hand, long live modesty, but it's the truth, am much more impartial.

Are we incompatible? I like Wyatt, Pink Floyd, and a lot of prog. Do you find them terrible? You simply have the tendency to make judgments too quickly about things you know little about, because you see the music of the pre and post-77 eras as opposing worlds, and you root for one of the two factions. I, on the other hand, long live modesty, but it's the truth, am much more impartial.