antoniodeste

Curious and "intriguing" film. It seems that, unable to secure the necessary funding for all the expenses, the director received the "gift" of having prominent actors as the main investors of the work. Well, who knows...., in any case, I found the story truly visionary and "complex" just the right amount. I don’t know if it is inconclusive (can a "fiction" film be conclusive?), but I enjoyed it much more than Lynch's recent esoteric (and incomprehensible) works, whom I actually hold in high regard. Indeed, there are multiple themes addressed in the film, but I get the impression that given the subject matter (the protagonist's supposed schizophrenia), this allows for a sometimes demanding expansion of the issues related to perception (or distortion) and the interpretation of reality by Gyllenhaal. Regards.

Personally, it always excites me to see Mr. Emerson again when it happens, as he hints at the themes of Tarkus on the piano....... Ah...! Other times.......

I've never had a great passion for the Hensley group, but that doesn't mean I didn't enjoy them. The duo of the "brothers" featured with Roger Dean's cover and their double live album, in particular, have always been a pleasant experience. But it's been a while since I last listened to them, and "wonderworld" never actually reached my ears. The review, despite the "track by Track" system that I personally don't prefer, is good and conveys the idea well, especially regarding a certain flair and stylistic originality that make it enjoyable. Perhaps a bit lengthy, but that's how it goes. Greetings to Pibroch, with whom we've been sharing these pages for some time now, and a shoutout for this "effort"! (And as you can see, there have been more than "4 cats" commenting on the review...)

.....of course, on the fourth line, it should be understood "... among those he considers the Flash....". Sorry.

Indeed, I had my doubts that anyone was (still) interested in the strange career of this extraordinary musician. To think that this someone would also be so good at reviving and reviewing such a beautiful album as this, I suspected even less. I am among those who consider Flash one of the most underrated bands in the entire "pop-prog" scene, and just listening to "In the Can," their second album, would prove it. I am also convinced that, despite Steve Howe having been and remaining a great guitarist (perhaps with a currently somewhat "outdated" style), Pete Banks is definitely a step above him in terms of ideas, sound, presence, style, and imagination. This album, along with the other mentioned "Instinct," is proof of his tremendous talent and the versatility of his songwriting/performance abilities. "Two Sides of Peter Banks," in my opinion, is truly magnificent. I can only express my heartfelt congratulations for the conciseness, expertise, and thoroughness of the author of this review for highlighting this work. Personally, I recommend it to prog fans and beyond. Well done, maurintosh. I rarely give 5 stars in both parameters; I almost never do so for a newcomer. I take this opportunity to welcome you.

As usual, great (and legendary, just to repay your kindness!) Green Manalishi. The John Evan Band must really be an interesting curiosity. I was aware of more than one of the "details" you mentioned in the description, but it’s still impressive to write a review that is so thoroughly comprehensive, both from a historical and musical perspective, as you did here. It brings a smile to know that today John Evan(s) works as a financial consultant… (or something like that). Those were the good times with Tull having a double keyboardist. David Palmer, right? (I'm getting a bit older now, and unfortunately, my memory doesn't always serve me well.) Well done, Green!!!

@ilpercussionist: Well, if that's the case, I would definitely make a quick visit to the general practitioner... If it's coming from the mouth, that could also be understandable... The first side of the work is still very captivating, even though thirty years have passed. How old were you, percussionist, when Michele Campovecchio (.....) played the Hergest Ridge? Regards!

@Green Manalishi: Hi ! .... I'll tell you, frankly I had no doubt that you would like it. On subsequent listens (as confirmed by more friends of mine), it sounds even better. Until next time, Green!

I must mainly point out that the visits (currently more than three hundred in two days) suggest that this release has not gone unnoticed. And this is undoubtedly a positive sign. I am pleased because, despite some attempts to discredit and sow discord regarding this "theme," there is still curiosity, interest, and affection— in some cases—towards a great Maestro of 70s rock. Whether you like it or not is absolutely legitimate. Perhaps less so is the fact that the manner in which dissent is expressed has the tone of rudeness, arrogance, and is ethically intolerable. Even worse if directed at me instead of the subject of the review, which I find unacceptable. I thank those who have intervened so far or those who will still express constructive opinions. @Terry: give it a try, but I can't guarantee anything! @Eliodoro Roby 86, Acqualife: Hi guys! It's always nice to see each other!

@XYZ: ahahahahahah!! @macaco: frankly, it's not easy to respond. You should ask someone who, not knowing Emerson (and under 35, preferably), has listened to this record, maybe listening to the keyboardist for the first time (and without knowing who he is or what he has done!). Did I answer your question?