antoniodeste

Ajeje, there must be some sort of misunderstanding either about the covers or the titles. Let me explain; the first album by Dedalus (the one in original vinyl LP / gray cover with cloaked men with watches for heads - also known by some as "Uomini senza tempo"), contains, in order: Santiago - Leda - Conn - CT 6 - Brilla; it was released in 1973 by the short-lived label "Trident", which was first a music agency created by Maurizio Salvadori. The group, in a second phase and with a change in lineup - Di Castri had left - produced, as you know, "Materiale per tre esecutori e nastro magnetico". I must specify that I have never had the chance to listen to THIS work and, discussing it recently with Bonansone, it seems that it’s not that serious after all. I hope the situation is now a bit clearer. Assuming that "Materiale" is a complex and "concrete" work, as well as strongly experimental, at the time (1974), I overlooked it. If you know it, tell me something! Bonansone, by the way, has reformed Dedalus under the name, I believe, "Dedalus group", also releasing new material. "Google" a bit and you'll see. baibai.

Well, it’s been four years since this review (!); I’ve just read it now and Mr. Iko had used perhaps the most beautiful expressions to describe and define it, despite the disorganized and indecent mess that followed. I’m here only to commend Mr. Iko for such sensitivity and to reiterate (if there’s ever a need) the beauty and importance of a "historic" album (for more than one reason) like this one. One last clarification: if I remember correctly, I believe the album is much older than what Mr. Iko states. 1975 or thereabouts. Correct me if I'm wrong. bye

I have been following Metheny since his early days, and this album, while pleasant and "light-hearted" (to borrow an adjective repeatedly used by the reviewer), does not rise above a commendation with limited merit. It is a work of sometimes conflicting, uncertain directions (like "imaginary day" many years later) and of few thematic developments. The compositions, despite their freshness, lack the depth and density that characterized albums like "Bright Size Life" or "Pat Metheny Group" (the white album) or "First Circle". Beautiful melodies, indeed, often supported by Aznar's enchanting voice. Metheny later produced works, in my opinion, of greater value. Nevertheless, a shout-out to Emanuele for his enthusiasm and simplicity.

If it can console you, Nob, I not only fear appearing to be a nuisance, but sometimes I have a strong feeling that I am one, for someone. Occasionally I recognize that I am; even for myself; (that is, I say to myself: Antonio, you’re really a pain!). It’s a burden to live with that is a bit annoying and heavy, but after a while I’ve thought that it must be one of my (quite unpleasant) roles; sometimes I laugh it off (perhaps foolishly), putting myself in the shoes of the interlocutor who is annoyed, which really makes me laugh (I mean, I go ah ah ah ...). It seems like a childish process and probably it is. In reality, I started to grow up, as you can see, VERY late. It's as if I find pleasure in being a pain; this mechanism is not easy to explain. Besides, one should explain what is meant by "being a pain." For example, if someone wants me to believe that our prime minister has stepped in for us, well, I start to annoy him systematically until he regrets wasting 3 seconds of my existence with a problem bigger than the ones I create. If another tries to convince me that Pino Daniele is today a "great singer, much more than twenty years ago," I start in on him. Or, to conclude, if someone comes to tell me that nuclear energy is safe, I revert to being pedantic. There you go, Nob, I don’t know if you’re alluding to similar manifestations and motivations, but know that when it comes to feelings with any potential little pangs of guilt for being a nuisance, you shouldn’t feel isolated and/or worried. I would even (without an ounce of humility and presumptuously) express doubts about my supposed "condition." Because I suppose we are just looking for a truth (perhaps even a transient one) in what may be the least appropriate way. Too verbose or fake-philosophical? baibai

Oh beautiful, Dante....beautiful what? Nice to see you, anyway. I announce to those present, since I’m here, and just to promote myself (what a terrible verb and word) that I should be about to publish, given the insistence of thousands of my fans (....) a little review (this "creation" pleases me more, it sounds less Berlusconian) about a new American guitarist. It had been spinning in my head for a while and... voilà... I wanted to "free myself" of it.

If you could manage to gain control over your, I suppose, tiny brain mass, it would already be a noteworthy achievement, even if minimal. As for your "state," let's not even go there. We are all amazed in front of this new genius of comedy. Thank you again, Alberta, for the valuable insights. I really hope for the 4 too. A kiss.

Mr. Nobody: if you can't find him, of course, give me a shout, no problem (the others too!). I'm perfectly in agreement with the sailor (Symbad) about the affinities between Perigeo and Lingomania. I've met Pietropaoli, Sferra, and Giammarco (at different times) and they are worthy heirs. Roberto Gatto is an astounding drummer, even without steroids. But they give me anabolic boosts. Greetings.

Alberta, you're amazing! Thanks again. I would really like to......bye

Thank you, Probe; for your own reasons. In fact, I believe I have mountains of limits and few points of observation. We will both grow. Bye.

I didn't understand Mr. Nobody's obsession with "the misunderstanding," but in any case, no (as Symbad quotes you), if this has caused you difficulties, I sincerely apologize. Maybe, as you say, I misunderstood; at the moment, I don't even remember what we were discussing... believe me, there was in any case neither malice nor "premeditation." No "friendliness" either, assuming that’s included in this observation and/or that I understood the meaning of it. Just exchanges of views at a certain level. Don't be so touchy; it seems there is a certain understanding between us, after all. Symbad, I'll tell you that I’m already quite masochistic about many things (like having gotten married, for example, and having two young boys who make me realize how far behind I am with my, moreover, few years... I'm joking, of course) to want to avoid Mr. Shorter's bio. Instead, I would like to return to the topic and ask for more clarifications and information about Zawinul's Silent Way. By "Googling," I found nothing, maybe because I'm a bit dense (not fat). This morning I re-listened to "Stories Of The Danube" (1996) with the orchestra. If I had to rate it on Debaser, I'd give it 3 stars. But it has a couple of truly chilling episodes. Best regards. P.S.: I believe in spring...