antoniodeste

For Ajejebrazorf: I will skip over the (heavy) dispute on the subject that I had the patience to read, and in which, it seems you are fortunately not involved. However, I endorse: "Hymn of the 7th galaxy" (and I add "The Romantic Warrior"); "The Inner Mounting Flame" and I add "Between Nothingness & Eternity" (and, on the side, "The Trident Sessions"). "What If" by Steve Morse's group, and I add "The Night of Living Dregs"; "Strikes Twice" by Mr. Carlton, and I recommend "Mr.335 Live In Japan". "Believe It" by Tony Williams, and I add "Extrapolation". "Rocket Science" and "Spears" by Tribal Tech are also highly recommended. Peter Green? I remember him well, but he seems a bit distant from these things, doesn’t he? Thanks for the titles you mentioned. They are certainly a good guide. I stuck to the authors; of course, we could add even more. baibai.

Absolutely right, Luca, and I understand you, even though the Machiavellian "the end justifies the means" cannot always be applied lightly. Furthermore, I suppose that a Vaughan fan, if not sectarian or fanatical, would recognize Pino's qualities if they are broad-minded. They might insist on Stevie's superior "overhand," but on this, would you feel inclined to disagree? I am a musician (not a professional, like you) and, as a guitarist, I can tell you that Pino (even live) has an excellent overall setting; perhaps he works better with his right hand, though. Regarding solos, you'll agree that, as pleasant and passionate as it is, it’s not exactly irresistible for me. He has been, as has been said, a great composer and "cross-pollinator" of talents. A great overarching vision of different musical characteristics. Good lyrics and rich arrangements. It's a shame it has all faded away.

I, Nightwalker, as a guitarist, propose another great Nordic talent, Eivind Aarset. It may not be straight-ahead jazz, but it belongs to that "movement" of new directions (assuming they can be considered as such) in Nordic jazz, which includes Bugge Wesseltoft, Molvaer, Ketil Bjornstadt, Jon Balke, etc. And since it's been brought up: what memories do you have of "Relativity Suite" and "Brown Rice"? Or of "Old And New Dreams" with Joshua Redman's father? Regards.

What a shame, you were so smart! It's obvious that you are superior to the others. In fact, you are the best of the boors!

For Mayhem: please, compare this "way" of commenting on an album with that of someone with the nickname "squallor" at the bottom of the comments on the review of "Dark Side of the Moon" by UccaBarucca. Tell me, if there isn't, in your opinion, some unpleasant analogy. In any case, I suppose that, despite everything, and given the premises, it is perfectly useless to try to argue about it, unfortunately. Tks & Bye.

I, truly, if it were possible, would affiliate myself with Dante's witnesses..... Two exemplary posts that confirm the imaginative visions of one of the preferred interlocutors of the writer; for the flair, the charm, the healthy humor in observing with an unenchanted eye this strange animal that is reality. Moreover, Dante, you have an uncommon sense of measure. You know when, drifting away, you could run aground, and so you promptly correct your course (to avoid possible misunderstandings, perhaps). And then the occasional quotes. I particularly liked the one about Lynch. I have (been) a fan of his. Now I follow him a bit more from afar. But "Mulholland Drive" and "Wild at Heart" are truly "legendary." Madonna, as you have now understood (.....), for me, a little less. (ah, ah) Siiiuleita, man.

No, you are better.....

Simple and straightforward. Sharp and incisive just enough. One note: do you really believe that Don Cherry comes from the far north of Europe..... Rodney?

I don't know, I have a somewhat unclear memory of the entire work. I remember that I often played the piece "Garofano Rosso" on the radio (the last one on the first side?). I remember that one quite well and it was (actually, it is) a great composition. I'm not sure, though, if I would feel comfortable placing it above "Io sono nato libero," for example. Certainly, the BMS produced works of extraordinary intensity during those years. The film's director is Luigi Faccini. The review, in any case, is well written and deserves proper consideration.

There was an obvious error in the typing of the vote for the record, and I am correcting it.