Alexander77

That Jews have formed a powerful lobby for decades is undeniable... but lobbies always benefit those who are part of them, not ordinary citizens, just like the Italian lobbies and all the lobbies that control this world...
Well, THIS lobby indecently exploits consciences, certainly not the common people who simply continue their very ordinary lives with the burden of a certain history on their shoulders...

I always have the impression that you’re a spoiled, acne-ridden 20-year-old living the good life on daddy's money, trying to give off some sort of post-apocalyptic survivor vibe, convinced that Naples is worse than Beirut, Nairobi, Kabul, one of the Favelas in Rio, a ghetto in LA, or a sewer in Bucharest... then again, I could be wrong, it’s just an impression, and as such it can be misleading... that said, you write well, Saviano deserves (I think...) applause, and Fazio is the same old suck-up... at least he doesn’t suck up to asses already occupied by others...

Excuse me, I profess ignorance on the subject at hand, but can you tell me what the hell that poor fool Timbaland has done that's so good?! Maybe then I'll understand why CC relied on him!

For the money? Does anyone really doubt that Cornell already has a ton of cash?! All I know is that with his voice, he just can't do it anymore (and that's normal; I don't think I've ever heard anyone else with the potential to sing Jesus Christ Pose). As for the rest, I hope he did it (just like the Metallica did) for pure musical spirit, the desire to try new paths...unlike others who rest on their laurels for 20 years, always making the same album (AC/DC? Iron Maiden? Many others?)...The real problem is the extremely poor quality of the music (it was tough to do worse than Metallica)...I guess that means I'll keep listening to the old Soundgarden records, which in three CDs (Superunknown, Badmotorfinger, and Louder Than Love) have said more than most bands say in 20 years (not to mention the idiotic definitions of someone who clearly doesn’t get Soundgarden at all)...just for the fun of it: TIMBALAND is a poor idiot!

I meant I wouldn’t be

Hey, pistol, I'm a diplomat, and I'm not saying you know little about music, also because I don’t know if you’re honest (I don’t know you) or respectful... but about this album, you definitely didn’t understand a damn thing!

I really don’t understand the comparison with labrie... I don’t know... aside from that, the first one is a nice album, but it’s definitely veeeery pop... this one has little to no pop, neither in the sounds nor in the arrangements... Atanas, sorry, but what does this one benefit from? It seems to me that here Bach is even better, just look at wasted time!

I respect it????????? Look, The Ghost of Tom Joad (FOR ME) is so beautiful and heartfelt that I probably will never go see Springsteen just because it really annoys me that he will never perform it live again, since I'm sure he will never show up in a slightly more intimate setting like an acoustic performance (at least, not in Italy)...for me, just that (and Nebraska is a bonus reason) earns him all my respect...bye! ;)

Sorry for the delay, Brusko... So my idea of rock isn't just the 3 bands I mentioned to you... AIC, Soundgarden, Kyuss... there are a ton of great bands, I avoid the obvious ones, I think you know them too... I'm not saying that the voice isn't important... it's just another instrument... and should be treated as such, not with mixing where the instruments disappear and only the voice remains (SEE almost entirely Italian music). The review I pointed out was indicative: if you avoid the flashy stuff that make Debaser look nice and fun, you'll find many good reasons why (it's still just my opinion) B.S., as a singer-songwriter, gives his best! Not technically (if by technical you mean various virtuosos) but at least not flat like a media-set hooker before silicone, or at least not monotonous and mono4/4... I'm not sure if I'm making myself clear... I don't think it's fair to say that the drums and bass of the E Street Band stand out for originality... think about it and you'll come up with an infinite number of more "present" and original musicians... then there are also the compositional qualities... honestly, I'm not a fan of punk, I get bored after 3 minutes... aside from The Clash, who go well beyond punk! In my opinion, prog hasn't killed anything, if you like it that's fine, if not, you can turn to something else...

Beautiful...hair metal? It means never having heard the album...this is a true gem of the '90s, or has someone decided that anything that isn't grunge or post-rock doesn't deserve to be listened to?