Eneathedevil

DeRank ™: 18,21
DeAge™ : 7754 days • Here since 18 march 2005
Love Contact
Sergio Castellitto Non Ti Muovere
Sergio Castellitto Non Ti Muovere
21 aug 07
Voto:
Come on, Kosmo, there's a lot of garbage in America too. This is CRAP regardless. And then Castellitto has nothing to envy to many overpaid American brats. CRAP.
Sergio Castellitto Non Ti Muovere
Sergio Castellitto Non Ti Muovere
21 aug 07
Voto:
Of course, the Vanzina brothers can be even worse: for Poletti's sake, we could activate 0 as a rating for the films.
Sergio Castellitto Non Ti Muovere
Sergio Castellitto Non Ti Muovere
21 aug 07
Voto:
A CRAZY MESS
William Friedkin Vivere e Morire a Los Angeles
William Friedkin Vivere e Morire a Los Angeles
29 jul 07
Voto:
...THE monads... of course they make mistakes! And who ever gave you a hard time about the length? Hey, Ghiaurov was there too, not some nobody. And Mehta, don’t forget that. See you tomorrow belìn.
William Friedkin Vivere e Morire a Los Angeles
William Friedkin Vivere e Morire a Los Angeles
29 jul 07
Voto:
Wow, what a beautiful post I’ve written, I could admire it for hours. Ah, this reminds me of something: you’re inconsistent. You’ve always professed in a certain way the fight against show-offs, like old Francis, who boasted about his abilities and talents. Lately, you’re in a phase of absurd megalomania. I mean, what’s the connection? A steep loop you’re imprisoning yourself in. And that crap about Turandot, which you passed off as art? Filthy crap, published by yours truly to make you understand that personally, I wouldn't let other nonsense slide by you. I’m the one who is coherent, véh. You, on the other hand, have gone from a mere supporter of anonymity, a sneaky prophet of anti-heroism and counter-information, to an identifiable megalomaniac who continually pronounces "me, me, me." If Francis were here, he'd probably call you a narcissist. And don’t talk to me about how you do outstanding things, while others have opinions that are worth nothing, because that’s just nonsense. Because you’ve written some garbage. And the point isn’t "what to write," but the self-pleasuring of the self that you, by the way, have rightly accused me of as well. Think about it, I’m waiting for an agape. Besos.
William Friedkin Vivere e Morire a Los Angeles
William Friedkin Vivere e Morire a Los Angeles
29 jul 07
Voto:
Yohoh! Make the usual mess: I edited your first review, and I myself wrote the following comment: "The usual ramblings of Vic. There are flashes of genius, but it’s unpublishable." I even acknowledged the flashes of genius, not to be taken lightly. Reasons for the accusation of rambling? The rant about Grignani, for instance. The bones of Mereghetti, to continue. This constant and rotten reference to coke, to finish. My dear, what does Grignani have to do with this context? If you wanted to talk about the Italian film industry (the subject at least at the beginning), you could have taken a thousand examples, not Grignani. That’s what I mean by "rambling." And then you need to be careful with your brutish desires and general insults. Speak in wittily sarcastic ways about the mess of Italian cinema, establish a cultured comparison between this film and Bellocchio, do as you please, but don’t ramble. I didn’t want to publish it, and I did you a favor: that rant about Grignani was a load of nonsense. Besides, I knew it, everyone knew it: you didn’t succeed in your attempt at counter-information because the news itself was widely known. And always with this story about the Nazis! You know you’re tickling me, ha ha.
Kraftwerk Autobahn
Kraftwerk Autobahn
25 jun 07
Voto:
In my opinion, Scaruffi has interesting insights! I mean: he has good intuitions, but he develops them poorly. Or rather: his opinions are excellent, but fundamentally they are wrong.
Kraftwerk Autobahn
Kraftwerk Autobahn
21 jun 07
Voto:
I didn't exactly understand what you are contesting in my post! Perhaps the fact that I said the popular sentiment made by Kraftwerk developed in disco music? If that’s the case, I stand by my point: as much as the sound of the four wasn't particularly danceable, they gave voice to a popular desire for direct and simplified enjoyment of music through the use of loops, vocoders, minimal repetitive choruses, and so on. That the music passed through the hands of DJs is absolutely true, but that music was a child of Kraftwerk. For example, the Chemical Brothers learned from hip-hop and Kraftwerk and, as DJs, educated the clubs in Manchester in the early '90s. The cultured sentiment you refer to is for me one face of Kraftwerk, one aspect. It was particularly emphasized by Clock DVA and their peers, who took different paths. However, frankly, I wouldn't feel capable of attributing the role of demiurge to the DJ; rather, they would be more like a priest or intermediary of the Kraftwerk sound. In this sense, for me, the link between disco music and Hutter and Schneider is clear.
Kraftwerk Autobahn
Kraftwerk Autobahn
21 jun 07
Voto:
Very good, gab: I don't know if it concerns the Kraftwerk legacy at all costs, but in any case I confirm about the great misunderstandings branded Clock DVa (practically out of circulation in Italy today) and Cabaret Voltaire; however, I wonder if this kind of music would have corresponded to a popular sentiment. You said: "the popular sentiment did not develop"; in my opinion, the sentiment did develop, precisely, culminating in disco music. The rest remained "niche" precisely because Clock DVa did not respond, for instance, to that type of needs, and indeed they, in my view, embodied the other aspect of the Kraftwerk sound: the industrial apocalypse I was talking about.
Kraftwerk Autobahn
Kraftwerk Autobahn
21 jun 07
Voto:
Dude, come on, you're such an insensitive slacker!
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