Eneathedevil

DeRank : 18,21
DeAge™ : 7753 days • Here since 18 march 2005
Manuel Vázquez Montalbán Quintetto di Buenos Aires
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Not in my groove, but I'll still give you a five-finger slap to pay my respects. YO.
Byron Howard e Jared Bush Encanto
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Hello amiœ, how nice to see you again here. Of course, it could have been a more captivating return, but by now we all understand widely that since you had offspring, you haven't been able to cultivate interests more profound than Disney marathons and generic series on Netflix. Now I know you think I'm looking for a way to annoy you, but I can’t get into the merits because I haven't seen the cartoon (and I'm not particularly curious about it), and reading that "character design," so carelessly tossed in to seem worldly, hurt me more than a popped pimple under my foot. As for the rest, the review shows a bucketload of playful sympathy, like a Japanese character wrapping its arm around your neck and playfully tapping your head with its fist. Hello again.
Alfred Hitchcock Io ti salverò
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Absolute masterpiece brought to life once again, as often happens in the best Hitchcock films (Notorious, Vertigo, Dial M for Murder), by a magnificent love story staged by a pair of actors with innate class. I know it might seem obvious, but a mention of the fabulous "dream" created by Dalì had to be made, @[dado]! As for the rest, precise and correct writing.
Francesco Rosi Cristo si è fermato a Eboli
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That reading stuck with me because of the little monks you rightly mentioned in your analysis. How strange: I read the book, but I never came across the film. Yet at GMV, you never say no. What a tale.
Bettye Swann Then You Can Tell Me Goodbye
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Thanks for visiting
Massimo Venier Il grande giorno
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I believe that AGG represents one of the most striking cases of early decline in comedic prowess, as their downward trajectory, in my opinion, began with "La leggenda di Al, John e Jack," which is not coincidentally the first film after the alleged "magnificent three," when our guys weren't even fifty yet. And while one might excuse the fact that cinema isn't necessarily their bread and butter, just think of the shows from the 2000s that culminated in "Anplagghed" to sense a dangerous warning signal of the trio's lack of ideas. By 2008, with "Il cosmo sul comò," they were practically finished, just a bit over fifty years old per member. Too soon. Perhaps they shot their bolt too early, leaving nothing for later? Indeed, back in the days of Gialappa's, with Bulgarians, Swiss, Sardinians, and dozens of other explosive numbers, they were a raging river.

Now, having left them at Marcello Cesena's "Cosmo," I believe I haven't seen anything from them since then. I wasn't aware of this miraculous yet unexpected revival and I admit to being curious. @[joe strummer] always incredibly valuable and timely, like a pimple on the lower belly after a day with tight elastic underwear.
Giorgio Scerbanenco I ragazzi del massacro
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Hey, I missed this one, pardon. Noir isn't my thing, but I quite enjoyed the chatter in the comments, as the Milan vs. Turin debate is one that never seems to end, and it's also quite tasty to see the two factions clash once again on the topic of esoterism. However, in this case, the laurel goes to Augusta, as with its network of underground roads, it is necessarily hidden from the sky of the living and the sun, closer to the center of the Earth than Milan, occult and fed to the croaking and blind creatures of the Underworld.
Death Baptized in Blood
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How I wish I could have been there too...
Max Fuschetto Ritmico non Ritmico
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The subtext seems pretty cool, especially if it's about Buddhist reminiscences! Thank you.
Noise & Paradox Transmograpfication
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But excuse me, let’s admit that I like it and want to buy the record or the CD: I go to Materiale Resistente on via Po and what do I ask them? "Do you have Transmorgapt... Transformtrap... Transporgraf...?" @[ZiOn] for the social.