Eneathedevil

DeRank : 18,21
DeAge™ : 7754 days • Here since 18 march 2005
Siegfried Wagner Sonnenflammen
Voto:
Nothing takes away from the excellent anecdotes of Danny's latest, but Liszt's good name never seems to rest easy (yes, practically everyone ends up mixing up the unfortunate final consonants). An erudite and highly esteemed review.
A.AV.V. ILLIBRO (le migliori recensioni di Debaser.it) vol. 2
Voto:
Hey, everyone stop! What’s that “Padreppio” over there? A linguistic twist that just so happens to anagram into “Predappio”… Just a banal coincidence??? I don’t think so…
The Residents Meet the Residents
Voto:
Here your esotericism, Casp, perhaps goes a bit too far, although, as @[GullaryShulmann] says, there is certainly a consistency between the work and the tone of the review. It also suffers a bit from orthography (you have to explain that "leight motiv" there, unless I'm missing some other hidden wordplay) amid such refined eloquence, but there are certainly interesting points where the syntax becomes more comprehensible (the beginning where you mention the Faust quoting the Beatles and Stones, the comparison with Not Available). Anyway, this album is so beautiful that I managed to buy the CD twice, and the first time was in a delicatessen in Tokyo, so I even have it in the Japanese edition with a fold-out sleeve. Esticazzi.
Pier Paolo Pasolini Salò o le 120 giornate di Sodoma
Voto:
Ah! What a tangle you’ve gotten yourself into by making that connection with "the immediate future" which opens the chasm that the cheerful gentleman above has plunged into. I think it's your opinion, but I wouldn't be as harsh – like the gentleman above – and I would accept the rest, including that quirk of placing the circumflex on "principî" (I admit: it was hard for me here) which is something for graphomaniacs like me (and you, evidently). I’m more curious to understand where you position in your exegesis that final minute of supposed redemption with the young soldiers awkwardly dancing a waltz: or perhaps the reference in the closing is precisely to that little scene? Tell me what you think. Meanwhile, I’ll raise the average.
Alex Infascelli Ao, me chiamo Francesco Totti
Voto:
Punny my love!!! I should give you one because it took the art of crafting to cover such rubbish with invectives, but seeing you here again with your proverbial nose for fecal substance excites me and compels me to give you top marks. Kisses and pinches on the butt.
Iosonouncane Novembre / Vedrai, vedrai
Voto:
It's already a bit of a surprise to see that Incani has changed his lexical register, as in DIE one could no longer stand trees, beaches, rocks, and distant shores. And when the voice doesn't crackle, I'm always happy and calm like a duck on a lake. I have a fondness for Cristina and hope this is the prelude to an album that surpasses thirty minutes, unlike the previous one, because waiting 5 years for a fly's turd is unacceptable. Review by mikinigagiana.
Enzo Carella Barbara E Altri Carella
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A scrappy and naive review in perfect Martellian style, but necessary to cover a gap on the site that Carella did not deserve. Many prefer "Sfinge," but I remain a fan of Barbara and Malamore. Kisses.
Joji Nectar
Joji Nectar
12 nov 20
Voto:
Hi, little panda cub. 5 stars because it's you, but I'm sure it's a mess ❤
Debaser La gente di Debaser - Parte 1
Voto:
Ahahahah, such an abomination could only be birthed from a mind as unhinged as Martello's. Given that the idea of unearthing old Deb users is quite appealing (I mean, for example, a handsome guy like @[G__á] could come by to say hello), the truly deplorable thing is that the philological effort is almost zero, since for every user our friend merely states: "He has a rank X, the profile says Y, has made N reviews. Interesting user." And he even mistakes the late Beppe Bigazzi for a "sprightly old man" back in the days of Prova del Cuoco. For now, it’s a dull 3 for encouragement, awaiting better chapters. I'm counting on it.