Eneathedevil

DeRank : 18,21
DeAge™ : 7755 days • Here since 18 march 2005
Lynyrd Skynyrd Second Helping
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where's raf? where?
Rod Stewart Da Ya Think I'm Sexy
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Ah, Kosmo, so you are one of those women on the brink of extinction... mmmmmmmmm...
AA.VV. Barry Lyndon
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Odradek (but what does Kafka have to do with it? :D) and Caz on the shields, I was basically about to say the same thing, actually I'll correct Caz's post to make it more human: "Reading this thing I would say 'a film THAT DOES NOT FALL WITHIN MY PERSONAL TASTES,' but thank God I saw it before reading THIS REVIEW A BIT TOO INFUSED WITH EVANESCENT ENTHUSIASMS. HOW STRANGE, there's so much talk about reviews that only focus on destruction and cruelty... NOT SO MUCH ABOUT THESE ONES THAT ARE FILLED WITH SLY SWEETNESS...
Lynyrd Skynyrd Second Helping
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Resisted, pardon
Lynyrd Skynyrd Second Helping
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However, interesting the PRSIAC, Resistance Prize Without Insults to Caz... we could make a list of all those that have existed, some more, some less... Massimof practically has the trophy in his hands :)
Lynyrd Skynyrd Second Helping
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I join Josi_, giving a default 5 to Massimof: very good. I’m betting a 50 on you.
Pupi Avati La Casa Dalle Finestre Che Ridono
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But what Aitanic and Aitanic: the cult of the ninodangelian filmography is the magnificent trash of "That Boy from Curva B," whose cry "Napoli, Napoli, Napoli..." still echoes in the crowded San Paolo. How does he do it, ZiOn? "Napoli, Napoli, Napooooli! Chisse Napule..." :)
Pupi Avati La Casa Dalle Finestre Che Ridono
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No, I haven't seen it, I'll have to take advantage of the summer evenings to schedule the recorder, since now ReteQuattro will be going all out about it... and anyway there are still too many genres to explore before I can properly cultivate B-Movies: how vast cinema is :-/
Juri Camisasca Arcano Enigma
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Oreglio! Damn, Caz, I just realize now how right you are... :)
Pupi Avati La Casa Dalle Finestre Che Ridono
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Come on, don’t be shy and come out in the open... Did you see Joe D'Amato’s episodes of "Emanuelle," following the model of the French "Emmanuelle" movies, a triumph of French-chic eroticism featuring the great Sylvia Kristel… They were entertaining; I watched a couple: they reprised the original idea of a "Black Emanuelle," the subject of a film by Britto Albertini, with the unforgettable Laura Gemser as the lead. Similarly, we remember the erotic-thriller-chic of the scandalous "Don't Torture a Duckling" by the great Fulci, a cult classic of the genre, where, back in the early '70s, a woman (then Irene Papas) was depicted in a pedophilic relationship with a young "Donald Duck"; obviously for Fulci and other B-movie directors, the biggest limitation was the screenplay, an area where we Italians in Italian cinema do not excel.