Eneathedevil

And yes, luckily he then cleaned everything up with that silly electro-new age soup-flavored thingy... hehe.

Ahiahi, Bogus, don’t tell me things I didn’t say! I said "NEW ORDER and Blondie STYLE," I didn’t say it was inspired by them... I just wanted to say that the styles are similar... "late Bee Gees" works for me, even if it’s a bit reductive; if you want, we can rightly include the Village People as well... UGU is lazily influenced (but is that really such a negative thing?) by this disco style too, but the packaging is much more refined.

Oh, wow, you have no idea how much I loved the out-of-tune moments of "La Compagnia," but anyway, you really need to have some vocal power to sing the chorus of Felicitàààààààààà-ah-ah-ah...ah-ah- ah-aaaaaaaah!

Agreed on being afraid... but "No Pain" is captivating, far from faux rock, it has many twists of high-level disco music in the style of Blondie and New Order, anyway, to those who understand...

Ah, well, so it's a matter of content discrepancy, the instrumental aspect related to the quality of interpretation and sound doesn't appeal to you much: well, I feel like I can at least agree on this second point, as you know for the rest I prefer a reasonable uniformity... anyway, certainly better ITNT than LBLBICE.

No, seriously no, let’s say it’s not comedic, but calling it serious seems excessive... pieces like "La Compagnia" and "Io ti Venderei" have a humorous take on reality to the point that they cannot claim such a title.

Ah, okay, your sacred opinion, but in the case of Mogol, I wouldn't say "raw and heartless story"... let's just say disenchanted gossip.

So, let's recap: Bogus can't be without me just like Odra, who, however, acts like a voyeur because he feels inadequate; Ajeje is pursuing me like an old hag and I don't know what to choose anymore, plus I haven't figured out who is playing the woman.

"Fantozzian poetry," yes, yes, great read, Bogus... Clash, a bit too harsh.

And damn, Odra, in these last few days I can't keep up with all the developments of De-B, I'm making progress in fits and starts! Bogus, the situation isn't very clear to me: you like the "discard," you mentioned, and not by chance you're a womanizer. Well, here the "discard" could definitely be there: trial material, experiments, heterogeneity, but now you say it's better ITNT... eh, no, you need to explain this to me properly, because I agree, but I've always maintained that I like a fanciful linearity... yes, the Americans have probably tidied things up in ITNT: the electronics are often much cleaner than the acoustics, and from there to "Una giornata Uggiosa" everything seems to have a languid and ethereal perfection... take "Una donna per Amico" in its magnificent and diabolical construction: Bam, I start impressing properly and then I kick off the dances with a masterpiece like "Prendila Così"... damn, 7:55, let’s scale up with "Donna Selvaggia Donna" which is faster, but with an anxious tone: a good dose of relaxing tunes is needed, and here we are sighing with "Aver paura..." and "Perchè No"; side B: great ballad of "Nessun Dolore," but at this point let’s lighten things up with a restaurant interlude from the title track; title track, and damn it, let’s unwind with two lovely light pieces like "Al Cinema" and "Maledetto Gatto"... perfect.