Eneathedevil

DeRank : 18,21
DeAge™ : 7756 days • Here since 18 march 2005
Brian Eno - David Byrne My Life In A Bush Of Ghosts
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Ptr, tell Ajeje that he always goes overboard with the burning. Too much burning can hurt your eyesight, everyone knows that.
Brian Eno - David Byrne My Life In A Bush Of Ghosts
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Odra, tell Ptr that he's right, Ajeje is a miserable pirate with a hobby of aggravated burglary.
Brian Eno - David Byrne My Life In A Bush Of Ghosts
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Ajè, tell Odra that he’s still a big shot, you were right: first Maisky, now the secret anecdotes... he has his connections between the CIA and DIGOS.
Franco Battiato Shock In My Town
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Okay, but in fact I’m reluctant to talk about pop-xxx as well; I told you it’s a mix of rock, experimental, and electronic in this case. Maybe in the case of Ferro Battuto we could talk about pop, not in this instance. Perhaps when discussing Smith you were referring to future collaborations with the nonetheless talented Scabbia: well, in this case, it’s more than human to prefer the former, unforgettable in that masterpiece which is "Strani Giorni" from two years earlier.
Brian Eno - David Byrne My Life In A Bush Of Ghosts
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I also recommend "Before and after Science," one of the most beautiful and acclaimed; this is not in my wheelhouse, David Byrne scares me quite a bit, but I promise I will get it! Hola
Sergei Rachmaninoff Concerto per pianoforte n° 3 in re minore
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I even found three versions of Concertos 1 and 2 in my home CD collection, including a recent edition released with Espresso (from the series: damn, it’s great when there are promotions with newspapers, so let’s pretend to be refined and save some cash), and without any regret, that Philips of the original Shine, complete with Liszt and Vivaldi. I don't know a thing about Argerich to the point that I can’t even pronounce her name, while there’s not much to add about Rachmaninov's crazy talent: you've already said it all in this complete review, highlighting, among other things, the excellent quality of a film like Shine, where I must emphasize the skill of an rightly multiple award-winning actor like Rush, one of those rare cases where someone actually received recognition that matches their talent. Let there finally be praise for the American award system, which in most cases leans towards worthless stuff, praise for Rach, and praise for Shine.
Franco Battiato Shock In My Town
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Released as a little appetizer to the magnificent "Gommalacca" of '98, it says a lot about Franco's usual exceptional eclecticism, capable of shifting from the meditative sounds of "Caffè de la Paix" and "L'Ombrello e la Macchina da cucire" to the rough rock of "l'Imboscata" and "Gommalacca," indeed. The review is very honest, but allow me a couple of notes, Voice, without taking it personally :) First of all, my personal opinion: Smith is fantastic, but I wouldn't say that afterwards the good Franco worked with less talented voices. On the contrary, a wonderful voice like Atlas's in "Ferro Battuto" seems to me anything but less gifted than that of Smith. I also add, and I agree with this very little, that your definition of the title track as a "stone thrown into the pond of pop music" seems reductive and a bit questionable, given that "Shock in My Town," like the whole "Gommalacca," has little to do with pop; it’s a melting pot of electronic, rock, and experimental sounds. And if we must refer to pop, let’s do so by talking about pop-rock, which is certainly far removed from the "Running against..." of "Ferro Battuto," which is indeed a more exquisitely pop work... Peace and love :)
Henryk Mikolaj Gòrecki Symphony No.3 for Soprano and Orchestra, "Symphony of Sorrowful Songs"
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So, so, Ajeje, I was provoking. But I was deducing well.
Henryk Mikolaj Gòrecki Symphony No.3 for Soprano and Orchestra, "Symphony of Sorrowful Songs"
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Riley intrigues me, but I'm even more fascinated by Nyman, whom I've never managed to catch. As usual, I will delve deeper, Odra, perhaps even for something more than a wobbly leg, and it will be automatic for me to think of you when I have it in my hands. Umbilical cords
Henryk Mikolaj Gòrecki Symphony No.3 for Soprano and Orchestra, "Symphony of Sorrowful Songs"
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...Ajeje, Gorecki is a great, your Ligeti frightens me, down with Liga. And I do what I want with my hair, I am a dandy girl.