Eneathedevil

DeRank : 18,21
DeAge™ : 7756 days • Here since 18 march 2005
Kraftwerk - Organisation Tone Float
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Cool, did you get it? Away from the screen!!!
Kraftwerk - Organisation Tone Float
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I want to tell you a rather raw story, a murky and sad affair that might not sit well with most: it is my duty to advise the dear mothers of debaseriote to take their children away from the screen. Thank you.
Kraftwerk - Organisation Tone Float
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And I’ll add something that will make you pale. Kraftwerk are a misery from a musical standpoint. A misery. But much, much, much better are Can and Neu!, from this point of view. But whether for their seminal nature, their experimentation, or for being the first proper standout band in the global electronic scene, credits must be given to them. The rating for musical technique is, especially starting from "Trans-Europe Express," 5 out of 10. Better the Can. They made Neu! more pop, say what you want, man, but it was them, the others didn’t do it.
Kraftwerk - Organisation Tone Float
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This record is a gnè gnè gnè, still questioning, but I'm finding interesting stuff, just wait a few more minutes. :D In fact, the definition of kraut-rock is a big nonsense, see my comment on Airone's review of Schulze. Just a minute.
Kraftwerk - Organisation Tone Float
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AHAHAHAHAHAHAH... Mike, too funny :DDD
Kraftwerk - Organisation Tone Float
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"White Noise"? We need to dig deeper, Kosmo said. I'll make a note of it. As for Tangerine Dream, please don’t persist: they don’t fit at all. Or rather, they fit very little. You have to be honest: you don’t really remember this album by Organisation. Well, if you listen to it again, along with Electronic Meditation by Tangerine, you’ll see there’s little in common. Tangerine would have immediately turned to the typical kosmische section of their production, and in the album, there’s already a wide and clear trace of that. And they indulge much less in noise. These are different things, even if they can be included in the same vein. And you can’t manipulate the chart discussion to your advantage with these rather dubious restrictions: "German ambient albums"... as if I didn’t know you, you said "ambient" on purpose (what the hell kind of term is that?), so you can fit in whoever you want at your convenience, it’s too easy. So let’s compare, in the very broad realm of rock, Black Sabbath with Springsteen; they’re contemporaries too, you know, it makes perfect sense.
Kraftwerk - Organisation Tone Float
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...You've made the discovery about the Kraftwerkian loop! ;) But, right here, there's actually no loop, and I said, and you yourself confirmed, that this record has nothing to do with the famous Kraftwerk. So I don't give a damn about your second comment ;D Wait, I'll also respond to your first one now.
Kraftwerk - Organisation Tone Float
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Hey, and yet Autobahn draws quite a bit of life from this, ZiOn. Of course, I also prefer more pop-oriented tracks: I would give a 10 to the uncertain "Electric Café" and a 2 to this one if I had to follow the "do I like it-do I not like it" principle, but a bit of objectivity is needed: on "Electric Café," Kraftwerk were worn out, while here there’s a remarkable melting pot of experimental sounds, a fascinating document of the early sound experiments in German households, much closer to Stockhausen than the other subsequent albums.
Kraftwerk - Organisation Tone Float
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Of course, it should be taken seriously; I believe it’s one of the best I’ve written :) I don’t understand what’s wrong. In the beginning, Kraftwerk weren’t Kraftwerk, it was a band that bore no trace of "Kraftwerk" even in the name, there were no electro-pop bends like in "The Model," little indulgence in pure electronics, little compositional order. Initially, the band indulged a lot in experimenting with industrial sound. So at first, it was just "noise." Then it became something entirely different, but the reviews for Autobahn, Radiocativity, and The Man Machine exist, you know :)
Kraftwerk - Organisation Tone Float
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"Anyway, I don't agree, this record is half-baked compared to all the stuff that came out in Germany between '69 and '70 in the same genre-type etc etc."... these "comparisons" between records remind me of some discussions about "rankings" from a few days ago... uhm, better not to revisit that :D What else was there of nice industrial-like stuff in Germany between the '60s and '70s? Tell me. Hey, I said industrial-like, not electronic-like, okay?