Eneathedevil

DeRank : 18,21
DeAge™ : 7756 days • Here since 18 march 2005
Kraftwerk - Organisation Tone Float
Voto:
Experience teaches that the masses think poorly, and I, who am distinguished (e-gregio = outside the flock), guide you towards the truth. You must treasure it.
Kraftwerk - Organisation Tone Float
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Dude, now I'm gonna burn your butt. "Mamie is Blue" from what? "Faust So Far"? The album you're referring to, "Faust/So Far," is the one recently promoted by the same Faust for their recent return to fame in the last decade (see Cope's statements, etc.). The real album that MIB belongs to is "So Far" from '72. "Faust/So Far" is a commercial operation, you dunce. You filthy accountant :D
Franco Battiato La Voce Del Padrone
Voto:
You... disgust me.
Franco Battiato La Voce Del Padrone
Voto:
The Battiato who amazed Stockhausen, of course. OF COURSE. Alright, come on to Soulseek and I'll let you hear the track with which Battiato won the award. Come on, I’m waiting for you, experimental-viveur of this crap. You'll see how complex and rich his music is. I'm waiting for you.
Franco Battiato La Voce Del Padrone
Voto:
It's an album permeated by electronics. By electronics, damn it. And the electronics in their basic forms are often quite banal. It's the effect that matters. In the review of Organisation, I just said that Kraftwerk were musically a misery. It's not hard to understand: "The Man Machine" goes tu tu tu tu tu, tu tu tu, tu tu tu, tu tu tu tu tu, tu tu tu, tu tu tu, and so on. And what the hell, what kind of reason do you have to give it a 3... just admit that you’re an idiot but don’t tarnish the average with your shabby and sufficient score.
Franco Battiato La Voce Del Padrone
Voto:
You... YOU! Filthy. You don't know this record, You know "Cuccurucucu" and "Centro di gravità Permanente" (which, by the way, aren't exactly terrible musically)... I really want to know if you know that masterpiece from "Gli Uccelli", if you know its strings and cadences. I really want to see. I understand if you say that "Bandiera Bianca" isn't much musically: sure, do7 si do7 do7 si do7 do7 si do7 do7 si si do7 do7 si si do7 do7 si si do7 do7 si do7 do7 si do7 is not exactly the score of Mozart's "Ratto dal Serraglio", but damn, this isn’t stuff to analyze with a tuning fork, and if you get so hung up on the "banality" of the music we should throw out 3/4 of the music from every era.
Franco Battiato La Voce Del Padrone
Voto:
You are more than an idiot. You have no idea of the damage you’ve caused. But "de gustibus e de gustibus," you made a monumental and unforgivable mistake... First of all, you deserve all the reviews in the world, you sly and illegitimate son of Scaruffi, with your newfound use of ratings after months and months of "Oh, how modest and good I am, I don’t give votes, except when I need to give a 5 to pick someone up"... I knew you would do it, that you would dirty this comment thread with your questionable ratings, I knew you would break your fast, I knew. I, I... have no words for you, just insults.
Franco Battiato La Voce Del Padrone
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Grass, you've hurt me. I feel alone.
Kraftwerk - Organisation Tone Float
Voto:
It deserves a 4 because it's one of the first more or less successful experiments of the most exquisitely industrial kraut-rock from the early '70s. It deserves a 4 because the title track is a truly exceptional study on the mechanics of sound, despite its prolixity. It deserves a 4 because you should listen more closely to the strings in "Noitasinagro." It deserves a 4 because you say it deserves a 2, and when you said it deserved a 1, it meant it was a 5.
Kraftwerk - Organisation Tone Float
Voto:
But then it's absurd: the concept of sympathy is associated with the interpersonal relationship, direct or indirect, that you establish with a person... how can you change your sympathy so radically for a simple music group that has hardly ever interacted forcefully with the audience? Obviously: you change your sympathy based on a musical evaluation; you discovered Neu! and Kraftwerk seem foolish by comparison. Too "loop," as you said. But at this point, doesn't it indeed become an evaluation of the music, and therefore a change of opinion on its quality? Aristotle.