Eneathedevil

DeRank : 18,21
DeAge™ : 7755 days • Here since 18 march 2005
AA.VV. Trainspotting (O.S.T)
Voto:
But wasn't Piero's war a war? Well, yes, from a chronological standpoint I was afflicted like the most somber of De Gregori at the time. But you’re a fool, because you show a poor sense of understanding and knowledge if you throw Fiori Rosa into the mix, which is an exceptional piece, in its banality. It has an unimaginable rhythmic structure for the year it was released (over 35 years ago), a piece that illuminates Lucio's extraordinary ability to see beyond. And in 1970, while your Area were still playing scopone in the square, he invented an incredible progressive album with Di Cioccio and Mussida like "Amore e non amore," nothing like the trivialities for the depressed. Just listen to "Dio mio no." Great Lucio. Great the gloomy singer-songwriters of the '70s.
AA.VV. Trainspotting (O.S.T)
Voto:
But yes, I believe you were once a carefree child who lived music with passion, now, however, you've turned into a refined bear and listen to this brutal stuff snubbing Royksopp, Kraftwerk, Underworld, and the techno-dance-club-pop gang. But I know you loved those people. "Time changes many things in life: meaning, friendships, and opinions."
AA.VV. Trainspotting (O.S.T)
Voto:
Yes, yes, Zaion, let us lose, it’s just that Bocù Fish is a big dancer and he doesn’t like it. It’s a logical discourse.
AA.VV. Trainspotting (O.S.T)
Voto:
My speech is about tunzettoni in general because somewhere in debeiser I once read a comment of yours where you said that dance sucks by definition, and at that precise moment, the clear and very sad image of those 2-3 half-cute hairy Sardinians inviting you to dance in a club saying “Ajò, vveni a ballare, belleddu” sprang to my mind, and you moving like a clumsy nutcracker to the rhythm of the Gorillaz. Since then, I've understood why you don’t like dance.
Pink Floyd The Dark Side Of The Moon
Voto:
Of course, my friend Maurizio! Join the campaign "Be Snobbish Towards Disks That Are Famous Even If They Are Fiki": we still have in the running Wish You Were Here, Kid A by RadioMerd, Out of Time by R.E.M., Aftermath by Rollig Stronzes, and that pretentious crap of the white album by Bidols. Long live the refined psychedelia, long live the industrial-lame stuff and the canned goods! Convert, this album is garbage.
AA.VV. Trainspotting (O.S.T)
Voto:
PS: How did it end with the idiot?
AA.VV. Trainspotting (O.S.T)
Voto:
Eh, how many votes are given just for the hell of it? But at least motivated ones. Yours is even fine; it's motivated by your symptomatic hatred towards the tunzettoni who can dance unlike you. But how the hell do you manage to get a truly trashy dance if you listen to all this hard-shit-klingklang-rock? Modjo, Corona, and SNAP on full blast. Then for more refined nights, Moroder and KC and The Sunshine Band. But over time.
AA.VV. Trainspotting (O.S.T)
Voto:
No, not even downloaded, but I practically have them all. And even if I didn’t, how could anyone forget Igghione and Sottomondo after they’ve been shoved down our throats in every jingle and trailer out there? Enough with this rockstar pretentiousness, shed those worn-out doommone clothes and give yourself a nice striptease a la Full Monty to the rhythm of Bigìs!
AA.VV. Trainspotting (O.S.T)
Voto:
Bla bla blaaahhh... always the same stinky pile of muddy considerations. It's a sentimental 5, first-class fairy, dedicated to Blondie (more than to Sleeper), New Order, and the more commercial Underworld but still in great form. After all, "Second Toughest" is excellent, and it came out a few months after "Born Slippy," so your cocky judgment doesn't touch me. It’s more danceable, okay, but we know well that your negative opinions on dance are distorted by your symptomatic inability to move to the beat. And along these lines, even the pigghiata pu' culu of New Order and Elastica. Come on, be a bit more flexible yourself. Move. Dance. Rhythm is a dancer, it's a soul companion you can feel it everywhere!
Wolfgang Amadeus Mozart Concerto per Clarinetto e Orchestra in La maggiore K. 622
Voto:
Be sincere, come on, do it at least for Hal, Grass, JoP, and the gang: you, like me, have a superficial knowledge of Mozart. On this page, people have written who you will recognize know more than you, and I really don’t believe you can have a deep understanding like the others about the subject at hand to make presumptuous assessments on Mozart. It’s no coincidence that Hal, who is really too kind not to send you where you know, immediately said, as the true connoisseur that he is, that he disagrees. And it takes courage to agree, acknowledging that Mozart was a slave to who knows what and didn’t shape who knows what. But yes, perhaps the smartest part of the comment is the phrase "discorsi campati in aria," exactly. Let's leave the harsh critiques to those who know, come on.