Eneathedevil

Sega, don't saw...wow, I really am a saw then...

Fico doesn't know them, but the review is luscious. Beautiful kisses from Fico and Segha.

Great choice, Jim, sti deus Fico is starting to get to know them now and says he likes the grunge pieces more. I prefer the SKA section, which is more upbeat, but I don’t know if you agree. Anyway, a big kiss from Fico and Sega.

Correct tag, now all the anonymous users can freely insult Punny in this review!

Great Blur... sorry seems to be the hardest world... Fico and I used to listen to them often last summer, but we didn’t pick up much… anyway, kisses to all the beautiful ones from Fico and Sega.

a bit too chill-out for Fico. Hi beautiful kisses from Fico & Sega

Well, Punisher, back in the day the Sex Pistols rapped even better than now, but the album according to Fico is good... I don’t know, let me know, bye beautiful kisses from Fico & Sega

Great one! Fico says that Caparezza is one of the most interesting free-jazz artists, at least in Italy. Even better than Tiromancino (now someone will get angry...), well, bye lovely ones, kisses from Fico & Sega.

Ultimately, I completely agree with gabbox, so I respond to Adriano by saying that without a doubt we must start with Treasure. For the rest, I still want to say that this is an occasional debate situation with Renzo, who I believe is an excellent reviewer: in my dissent, it is certainly not my intention to make a global judgment on his work. :) The comparison with those who have copied seems a bit superfluous, especially since it is implied that anything written by one's own hand is always better than something that is not one's own: of course, if, however, one writes things that are at least debatable, one must anticipate possible divergences. Without demanding comparisons with those who are worse, you won't get anywhere.

Uhm, houdini, I made a general reference to the lack of comprehensibility in Liz's singing; it is undeniable that the last two albums, rather recycled, are more understandable. The critique was somewhat exaggerated because I was referring to the fact that the review stated that after this album the words would become comprehensible, which I don't seem to notice in Blue Bell Knoll (the examples I gave strictly concern that album). And I’m still waiting to understand even one word of the beautiful Eyes Are Mosaics from The Moon and The Melodies. Regarding the matter of opinions, I inject a bit of that usual arrogance that characterizes much of what I say: this album may please more than all the others by CT, it may resonate more with one's spirit than the others do, but it is not historically and in terms of importance the best. It is a derivation of the great masterpiece that is Treasure, with which the dream-pop genre was established that Renzo ensured was included among the styles. It was born there, wonderfully: with Victorialand, dreamy atmospheres were emphasized, the gothic remnants of Persephone and Ivo were eliminated, and everything is much more diaphanous and touching. That it may be the most liked is perfectly fine, but to define it, even if it is a personal opinion, as the creative peak seems to me to be a bit hard to agree with.