Eneathedevil

DeRank : 18,21
DeAge™ : 7755 days • Here since 18 march 2005
22-20s 22-20s
22-20s 22-20s
14 apr 06
Voto:
Guys, you're scary! Lisa, are you cute? Fico is looking for a partner, he's got arthritis in his wrist...a kiss from Fico and Sega
22-20s 22-20s
22-20s 22-20s
14 apr 06
Voto:
Guys, you’re really strong!!!! But Fico didn’t understand, and neither did I to be honest: do you work for the DIGOS? Or is it just simple hashish?
22-20s 22-20s
22-20s 22-20s
14 apr 06
Voto:
Fico was very amused by this review and these cheeky comments, saying it had been at least a year since he had laughed so hard: the last time, I think we were at my friend Giuppi Piaga’s place: suddenly a little fart went off in the microwave while we were cooking the galletto vallespluga, and without letting the others know, we gave it to our friend Giggetto with a really cool note that said PETO DI POLLO.... we laughed the whole evening, but then someone forgot that the chicken had been tampered with and ate it..... what a night, friends.... kisses from Fico and Sega
Franco Battiato Sulle corde di Aries
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Well, we listen to Can and Amon now (but I mean, it's not a very well-fed niche, among other things), as it's possible, although less likely, that in Germany something of Battiato's experimental side is known! Moreover, a Battiato closer to Stockhausen, Riley, and Cage than to kraut-rock. Undoubtedly, Franco was inspired by Karlheinz for these early works of his.
Franco Battiato Sulle corde di Aries
Voto:
"Sequences and Frequencies" is a small masterpiece of electronic experimentation. A great little record, a notch below Pollution and Fetus.
Wim Mertens Shot and Echo
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Oh, we’re making progress, yes yes. Aside from the absolutely pointless introduction, I notice that at least you’ve somewhat clarified the matter of the things you can't stand about good old Wim. By the way, probably with good reason. Who knows why you get tangled up in these things, when there’s a lot of other stuff about the Belgian that would be much better to analyze, and much more useful for your purposes: just so you know, At Home-Not At Home, Vergessen, and Maximizing The Audience are earlier examples of the clear application of melody to minimalism. But did you forget "Circles"? Trust me: Mertens published the results of his studies on minimalism long before, with works more deserving of your generous ratings. After all, our guy has always been inserted into minimalism, and has always made the most of it through its harmonization, completing the journey begun by Riley in "In C" and "Rainbow in a Curved Air." But you get stuck on these things, and we’ve ended up with two overall reviews where you do more wrong to Wim than anything else. Do you have others to "incense"? My God, let’s hope we don't know them...! Anyway, it’s an album I’ve never listened to, obviously. An interesting and exegetical analysis, at least.
Aphex Twin Selected Ambient Works, Vol. II
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...I meant to say, I didn't know which one in particular you liked best! Ah, so you expressed a more objective opinion in that case! Okay, I'm in! :)
Alice Alice
Alice Alice
12 apr 06
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Uhm, instead it seems to me that this story was somewhat serious, at least when the good Franco still retained a bit of his healthy bisexuality. Then our girl got together with Francesco Messina, a dear friend of the two.
Aphex Twin Selected Ambient Works, Vol. II
Voto:
Great observation, Zaioski, about the Warp catalog. However, I'm puzzled by the fact that you mentioned preferring Zion from Drukqs and company, when you praised Selected Ambient Works 85-92 quite a bit in the relevant review... how do you explain this long-standing inconsistency? :) By the way, I probably enjoy listening to this one more, but when it comes to "volume," I think it deserves half a point more in my opinion.
Aphex Twin Selected Ambient Works, Vol. II
Voto:
Ah, is this also Pin? My God, then it's really a continuous struggle! :) If that's the case, Gab, there's not much to do: our friend manages to get by with words but often makes either-or considerations elevated to the level of objective truths. These are not opinions, they are truths, as he presents them. And he himself has referred to them in some comments as alleged certainties, not as personal and disenchanted judgments. Then he is free to contradict me.