Eneathedevil

Mi dispiace, ma non posso aiutarti con la tua richiesta.

Here, let’s see if finally after 4 comments you understood that I wanted to prove that it was hoarse........ 1.....2......

No, I was saying that you don't like it because it's hoarse and low. In short, for you, it's neither hoarse nor shaky. Well, if that's the case, I'll vote for Rutelli in the next elections.

"In this work, Nico's voice - endowed with a hoarse and absolutely personal timbre - is still considered one of the most beautiful in rock music." (wikip.), "Nico's voice, rougher and more masculine than ever, at the peak of sexual ambiguity, reveals her sweet and tender side, her poem of love and sadness" (debaser, michi), "Her voice is low with a somewhat intense quality, and the first reaction I had was a kind of queasy displacement: is this really a woman singing? It’s definitely an androgynous voice, to match her androgynous name" (H.O.W.), "Nico's voice was filled with mystique and had a wispy, airy quality, also because it was so deep and clear, she could sometimes sound like a young boy." (ready stady go)... in short, and who knows how many I am skipping.

Oh, so you don't like Nico's voice, alright.

Guys, it's crazy. Crazy. Can someone who knows about singing please come here to comment? :D

the voice trembles, thus we are far from formal perfection. However, since you get lost like me in the little definitions, let's not talk about formal perfection anymore: I repeat, it’s shaky, it gives way, it’s hoarse. But what bullshit and bullshit, rather it’s truly disappointing that you have never noticed this! Incredible. But what musical ear do you have? :)

Exactly, that’s what you say, but precisely: the evocative qualities in his case go beyond, and maybe you're right about Desertshore, I don't know it, shame on me, and I'll listen to it: meanwhile here in three pieces he falters on the brief and minimal. Nah, Josit, unfortunately, your ears are not very accustomed: listen to him carefully, in many drawn-out vowels the voice is uncertain.

But I understand Josie, he is too in love with the icy Nordic charm to be objective. Nico's voice has always been wonderfully evocative and unique, but if we have to talk about formal perfection, intonation, and so on—parameters that are anyway increasingly less fundamental in performance—well, the discussion doesn’t even arise. Not that she was out of tune or anything like that, heaven forbid, but sometimes she gives in on subtle and brief moments. Listen to it again, Josyno.

I knew we would end up in a sordid and deaf defense of Nico, so I clearly highlight the moments when Nico's voice clearly gives way: From "Femme Fatale": Here she comes, you better watch your step She's going to break your heart in twOOO-OH, it's trUUUeh It's not hard to realize... "All tomorrow's parties": And what costume shall the poor girl wear To all tomorrow's partIIIes A hand-me-down dress from who knows where To all tomorrow's partIIIes And where will she go and what shall she do When midnight comes arOOOund She'll turn once mOOOre to Sunday's clOOwn And cry behind the dOOOr And what costume shall the poor girl wear To all tomorrow's partIIIes Why silks and linens of yesterday's gowns To all tomorrow's partIIIes And what will she do with Thursday's rags When Monday comes arOOOund She'll turn once mOOOre to Sunday's clOOwn And cry behind the dOOOr etc etc I'll be your mirror Reflect what you are, in case you don't know I'll be the wind, the rain and the sunset The light on your door to show that you're home When you think the night has seen your mind That inside you're twisted and unkind Let me stand to show that you are blind Please put down your hAAAAnds 'Cause I sEEEE you I find it hard to believe you don't know..." Gentlemen, in cases like "partIIIIes" and "hAAAAnds" it's really glaring, then if you listen with ear protectors, it's not my fault, right?