Big D

DeRank ™: 0,00

DeAge™ : 7753 days • Here since 18 march 2005

Meshuggah Nothing

27 jul 06

Voto:

Look, I have to tell you that you're quite right... it happens often, especially in the prog metal scene, where jazz is seen as the "X factor" that automatically makes an album better. In any case, on DEI (which I believe is the most contaminated album), Meshuggah don’t yet have that alien and mechanical coldness that will characterize them later, so the genres seem rather reconcilable (or at least comparable)... and anyway, Meshuggah "live" in paradoxes! :-D

Meshuggah Nothing

25 jul 06

Voto:

So, I'm not a music expert, but "by ear" I can hear that there are arpeggios and solos (even if played distorted and violently, but sometimes not) derived from jazz/fusion harmonies, like the already mentioned interlude of future breed machine.

Slipknot Slipknot

25 jul 06

Voto:

Joking aside, everyone has their tastes, and they should be respected... however, I would recommend that the maggots download some songs by Meshuggah, like "I" (a 21-minute brick, but very beautiful) or "Future Breed Machine." Haake is one of those drummers with an easy double bass, and he maintains some crazy offbeats.

Slipknot Slipknot

25 jul 06

Voto:

the best metal drummer on Earth is Tomas Haake

Meshuggah Nothing

22 jul 06

Voto:

It has nothing to do with it, but who’s going to see Lacuna Coil in Rome on September 23?

Celtic Frost Into The Pandemonium

20 jul 06

Voto:

aaaaaa, if I could write all the reviews like this...

Meshuggah Nothing

20 jul 06

Voto:

no problem galakordi, :P

Meshuggah Nothing

20 jul 06

Voto:

building riffs on scales derived from harmonies typically used in fusion

Meshuggah Nothing

18 jul 06

Voto:

Hey dude, as a reviewer to another, can you give me some advice to heal (or at least protect myself) from the super contagious virus?

Meshuggah Nothing

18 jul 06

Voto:

I respond to Galakordi Urtis Krat: 1. Chaosphere does not abandon the jazz nuances that, as you said, are the backbone of the solos and not just that, but also the jazzy MELODIES. For example, in Chaosphere, we never find a melodic fusion break like the one in Future Breed or the beginning of Beneath, in short. 2. Here I made a mistake, Nothing partially ignores the rules, but still enough to be very different from the previous two, which are dynamic and fast; Nothing is slow and "monolithic," indeed. 3. Kidman uses a very different vocal style here. In DEI, he almost resembles Max Cavalera from Chaos A.D.; in Nothing, he is more "hysterical," rhythmic, and, if I may say, less "musical." Can I ask you a question? But why do you get so mad? We are civilized people and we can discuss this, right?