strangler

But don’t review these things, I told you, review video games instead; I think you’d do much better, preferably not role-playing or strategy games because even there I see you struggling a bit. There are too many cultural references that go beyond your capabilities... something like PAC MAN, you should be able to manage that...

But then do you really have all those loser friends? For every one of your theses, you have the right friend UA UAH UAH.

Well, I don’t see why you feel so hurt since you have to use offensive adjectives; it seems really pathetic coming from behind a monitor, don’t you think? Not that it changes my life one bit, actually it amuses me, but you look really bad doing it.
As for New York, just drop it, you don’t know anything about it, and when you don’t know something, it’s much better to be quiet, trust me... talk about places you know, where you won’t end up saying stuff like: “September 11, 2001, New York gets it in the ass, and ground zero is there to symbolize defeat.” Aren't you a little embarrassed reading that back?? No? Oh well, it will take time...

tell the truth bogus, you can't stand that someone like that tells you you're a healthy person, hehe

However, I've only read Cathedrals, which I really liked. I like Kureishi and I love De Luca and Sonic Youth. So tomorrow I’ll go pick it up and I’ll be on the hunt for the quote (I hope I find it)...

beautiful... too bad we won't be there

But why do we need to "convince" someone of the goodness of a group and their music???!!?!? I believe that music, this music, needs no explanations because of how direct and immediate it is. Moreover, in this specific case, and I reiterate, if a person has not lived certain experiences directly related to what they are telling/singing about, it becomes even more difficult to get closer. Naturally, by experiences, I mean not only social interactions but also readings, films, etc., as someone has mentioned above. Paradoxically, it is much easier to approach a Mike Patton, who draws from various musical styles that are more accessible and immediate and therefore codifiable to the wider masses than the CCCP, who come from a much narrower and, in certain aspects, marginalized culture. However, I believe we make a mistake if we relegate them to the eighties: never before have groups been emerging that have taken so much from them, but by reinterpreting without copying, they do justice... and coincidentally, they come from the same land...

ih ih don't get worked up, otherwise I'll go home and I won't be able to eat... you need to manage to not talk about New York at least, can you understand that by yourself? I can explain the rest to you... better this than working... anyway, it's true, when you write I’m bored to death and so I skip parts... sorry...
p.s.- aaah but you’re referring to Berlusconi's trials, where a den of communist magistrates are going after an innocent person?

By the way: I suggest the latest album by Giorgio Canali e Rossofuoco, just to illustrate how much this band has sown in terms of music; the sprouts that emerge bear good fruit...

So what's the problem??? Do communists always have to be the ones living in shit, dressing like homeless people, etc.? We're talking about people living in the West, not on a mountain in Tibet. Do you realize the nonsense you're writing? And nobody says anything to you, which is even more incredible. It's normal not to like this group, that would be expected, but when you make those socio-political analyses (euphemism) like an 11-year-old child, you're ridiculous. If you're doing it just to be contrary to the situation, at least give some depth to the statements you write... you’re incredibly empty, my dear, probably quite lonely, and just for that I can understand why you say certain nonsense. Here's what you should do: read some texts on communism, at least to have a basis for discussion. If you want, I can suggest something... then we can talk about it...