Madonna Confession On A Dancefloor
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I fully agree with the comment above, reserving the right to change the person at the end of the sentence to myself.
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hahaha but f*** you...
to the left, anyway.
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p.s.
little angel if you want to be respected and cool around here it's time you start using a bit more "k" in your posts. If you don't know how to do it, ask the bionic metalhead or a shady guy named Nick.
Erotic regards
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He he Jim, it's just that in the morning my biorhythm is high, but by noon it drops sharply and in the evening I don't even greet people on the street anymore because I'm so spaced out :)
Long live Toto.
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"if instead of only talking about your own issues you listened to music where you understand the words, you would overthink less and indulge for pleasure as a great songwriter used to say, who I bet none of you know... It's Toto Cutugno! right? I'm too sure, that Toto... always touching himself like a damned man...!"
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^__^
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0__0 Jim you have an aunt named Giuseppe?!?!?! The best!
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Once, I saw an absurd magician on television from Corato, I believe his name was Mago Giuseppe. I also have a friend from Corato named Giuseppe! But do all of you call each other Giuseppe in Corato? Eeeeeeeeeh?
P.S. Marsica has been infested since the beginning of November. Even the beets go eeeeeeeh (Povia has already acquired the rights for one of his upcoming songs!)
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Hehe :D…. actually eeeeeeeeeeeh. It will invade the world sooner or later, you’ll see. Already in here, it seems to me that there are many infected. It’s been since the days of the infectious "Tiè" brought by the infested reces of dear Matteo_b that we haven’t seen outbreaks like this.
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qze ma Grignani undeniably mimics Vasco (EEEeeeh, by the way Jim, do you really follow ALL my morning comments?!? You're completely out of it...I repeat ;D) but I truly consider Fabbrica d.p. an album that goes against the market rules after a blatantly pop debut (and after pocketing hundreds of millions with Destinazione, it wasn't easy to take that step). Thus, the theory of the alternative debut with a pop following is disproven, but perhaps, as you say, it's just an exception. So much so that G.G. has returned to the most vulgar pop of aiuole and EEEeeeeeh (Christ, him too!!!) excessively, following the same path as Silvestri: an interesting alternative debut and two consecutive albums that are very convincing before SALIRò (brrr...). In short, in Italy, it’s becoming increasingly difficult CURRENTLY to find a famous group that renounces the most predictable pop from the beginning to the end of its musical journey.