ZiOn

DeRank : 19,12
DeAge™ : 7902 days • Here since 28 october 2004
Miles Davis Doo-Bop
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Caz I love you
Miles Davis Doo-Bop
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Comment of the Year
Miles Davis Doo-Bop
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I’m not talking nonsense at all, I’ve listened to the album, I own it, and I like it, that’s all. But you’re as tough as marble then.
Miles Davis Doo-Bop
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I also want to clarify one last point: I didn't give a 2 to the review because you're speaking badly of an album I like, but simply because I don't like the style and the zeal you use to talk badly about it. Are you the touchy one? Just kidding, bye :D
Miles Davis Doo-Bop
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And I repeat to you, dear Punisher, that this is a mediocre job according to your point of view, which I find is not objective and universal. Aren't we suffering from Berlusconism? ;-)
Miles Davis Doo-Bop
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primiballi, great DJ Krush, even though I prefer his other albums like "Meiso", "Milight", and the masterpiece "Kakusei" above all those good collaborations with various Jazz musicians (Toshinori Kondo, Ronny Jordan) :-)
Miles Davis Doo-Bop
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Touchy? Not at all, I just wanted to discuss a few points and the final judgment of your review which, lacking a bit of humility, led to misunderstanding ;-) Take care.
Miles Davis Doo-Bop
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I'm quite puzzled, to say the least :D Why should I view negatively what Davis did before? Perhaps I didn't explain myself well, or maybe you didn't quite understand. By the way, the works I prefer are those released between the late '60s and the first half of the '70s ("In A Silent Way", "Bitches Brew", "On The Corner"), your interpretation of my thoughts couldn't have been more wrong.
Miles Davis Doo-Bop
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Then to consider Trip-Hop and Downtempo in such a derogatory manner as "the clones-derived of the following years" leaves me quite puzzled; there are undoubtedly influences, but to define two of the most important genres of the past decade so roughly leaves me rather perplexed... I doubt that Mr. Portishead, Massive Attack, Morcheeba, K&D, Tosca, and Sofa Surfers would agree.
Miles Davis Doo-Bop
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Well Punisher, honestly I don't share your arrogant style and your self-proclamation as a paladin of musical justice. "Doo-Bop" is, in my opinion, the best album from Miles' latest production (along with "Tutu," his New Wave album), original and in its own small way, also pioneering. Moreover, the usual names you mention as points of comparison (Prince, Beastie Boys) suggest to me a (presumed) lack of knowledge on your part in the Rap and Black scene in general. In short, a bit of humility wouldn’t hurt ;-) Regards.