Voto:
I don't think there is a single reason to make a rational person listen to this record. Perhaps a blackmail of a sexual nature, torture, a new duet between Mina and Celentano commented on by Vincenzo Mollica, a life-sentenced prisoner measuring 1.95 meters who hasn't seen a moving hole in many years.
Voto:
I don’t know any contemporaries. Maybe I only need the inflexible gentlemen, the undisputed ones. But given my questionable use of commas, I should probably listen to them just to learn some new curses.
Voto:
not bad, but a classic useless album. Maybe I'll delve deeper.
Voto:
I don't know it even a little, but admit that you're not a great conscious connoisseur of the Blue universe. Then again, many albums that I love contain a Blues molecule. But it's never too late to enjoy.
Voto:
Definitely, the pieces I've heard have tickled my synapses. Great suggestion, well done!
Voto:
I heard some pieces. They didn’t convince me. Certain moments felt too full, epic, almost highlighting scenes from a blockbuster. I repeat, this is an instinctive judgment, to be taken with a grain of salt, but in some way it justifies the impression I got from the cover. Anyway, well done for stepping into less traveled territories.
Voto:
great proposal, I really dive into these sounds. I'm trying to catch up, but the cover is quite ugly.
Voto:
Northern Europe is a place of exploration. The 67 period is a melting pot of sounds. That's all there is to it.
Voto:
I don't know what to expect. You're great because you pull names out of a hat without . Well done, here's something different from the horrible pink. Send names without a name.
Voto:
@[hjhhjij] try this with headphones fantastic, reverse blues.