@[ALFAMA] I don't know what kind of catatonia you're talking about, Alfa. In '77/'78 there was room and music for everyone; my friends and I, the 14-year-olds of '77, literally didn't know where to turn in music, so much was passing before us... You could go from politically charged singer-songwriters to the cheerful poppy stuff, from the extremities of Area to Finardi, who was being accompanied in Diesel, from Area... and then punk and new wave, which timidly and somewhat late (we're in Italy...) started to peek onto the boot, although you had to seek out punk bands and go listen to them in clubs; the records would come later... and Battiato was tossing out "Za" and "Café Table Musik," for example; in '79 he would win the Stockhausen prize for "L'Egitto prima delle sabbie" from the previous year... A momentary but decisive crisis of ideas and sales was on the horizon for everything that had been "prog" (but, let's remember, that term didn't even exist yet...), Dalla was releasing "Come è profondo il mare," no small feat, and Battisti, always against the wind, was going American with "Sì viaggiare." De André and Faust'O released "Rimini" and "Suicidio" in '78, and Bennato struck gold with "Burattino senza fili." There was talk of that strange guy from Asti, Paolo Conte...
There was something for everyone and for every taste, and I'll spare you the jazz...
Of course, you can't fault you when you say that calling Ch/Krisma geniuses is an exaggeration; back then, correct me if I'm wrong, excellent
@[iside], those who talked about Arcieri were divided between those who remembered him in New Dada and those who cited the episode of self-harm that happened in a club in Emilia, I believe, when he cut a finger (grand punk era) shouting "Even the English do it".... The Krisma were a step ahead of everyone because they belonged to that small group of artists who sensed what was happening across the Channel and partly in NY... and they were the first, or almost, to bring sounds and experiments back to Italy...
Anyway, this was definitely a good record; to listen to sounds like these even in '82, you had to lean out beyond the Alps... Nothing extraordinary, but for me "Chinese Restaurant" and "Hybernation" experimented a bit more...