adrmb

I only know the piece from Fantasia (great), I'll see if I can find it.

Watched it again tonight, how lovely, I wonder why I didn't like it in 2014. Yes, it might be a bit too "mason-centric," perhaps, not just in terms of screen time (after all, he is the protagonist), but also "ethically," I had the impression that he was always a bit "forced" for being anti-conformist and deep. Anyway, it flows like a charm, yes.

Anyway, a very beautiful comic, I laughed until I cried, but there’s always that underlying disenchantment, great job.

He disgusted Tree of life, I enjoy it.

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But it’s practically A Special Day by Scola across the ocean.

Very nice even though the girl seemed a bit daft to me (do you realize in the end that noise weakens creatures??) The script is pretty meh, a bit tearful but the rest is quite good nonetheless.

Uh I saw this (and then Gomorra by Garrone that evening, interrupted halfway because I was dozing off, I need to pick it up again) so: please I liked it but I don’t know, I had the impression that it was a bit too didactic, like the fact that you highlight that the female figures revolving around the protagonist are submissive to his choices, I mean is it really possible that there wasn’t even a hint of conflict? And if not them, the girlfriend's father who is initially described as reluctant but then we hear nothing more about him. On the other hand, showing the gradual transition from messing around and petty thefts to bigger and more dangerous things works well for the film.

Here too, but how much did Oldfield influence the soundtrack?

Edit to the review: "reliable instead of respectable." See the old version La finestra sul Luna Park - Luigi Comencini - Recensione di adrmb Versione 1