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I don't know if I would consider it Allen's best (Annie Hall still resonates with me as truly the ultimate masterpiece on neurosis), but it is definitely the one that has left me with the most intellectually; it practically overflows with interesting reflections. I will revisit it in the future.

Yes, Picnic is perhaps Weir's masterpiece, but even channeled into a more linear script, this is able to unleash a maze of emotions. Carrey is excellent, and the music of Philip Glass is astounding.

Beautiful, very much so, with some scattered trashiness (the sheep), a few somewhat cloying screenplay passages, but overall a high level of cinema. Personally, I preferred the "Them" part a lot more, as it keeps you on the edge of your seat much longer, and generally, I was more engaged by both the plot and the characters; the viewer approaches the pool party scene with the same sense of anticipation as the guests at the mega orgy. Then, in my opinion, the film slightly flattens out (even though it remains quite good). On Tuesday, I’ll see the second part...

Stunning film, but I had no doubts about it. Chilling the delirious scenes in the hospital and at the protagonist's home.

Hot opinion: a masterpiece without sense and without a but.

But what

A perfect film "choreographed" sublimely by that genius Chaplin, with so many iconic scenes and an Immense ending that reconciles you with cinema.

What a surprise! Practically our "Exorcist," ten years before The Exorcist, a tale of madness and fanaticism that has its roots in the most rural folklore of Southern Italy. A true gem to be rediscovered, shot on a very low budget (I believe) but precisely for this reason exuding its own raw charm.

Did anyone happen to see it again yesterday at the cinema? The new adaptation has certainly improved the overall experience.

Well, the only one of his I've seen is The Village (nice)..