nix

Yes, yes, for me the singer is fine, but is something wrong? Your voice is shaking, but is your forehead beaded with sweat? I can hear you’re scared, fearful. What are you afraid of, snes?
Don't worry,
“tonight I found the right tone...
...I’m good”

I disagree with those who say that Battisti was an interpreter and not a singer-songwriter (snes). An interpreter is someone who performs other people's songs, temporarily embracing someone else's repertoire. Battisti sang songs that were his, despite the fact that the lyrics were written by a lyricist (first Mogol, then his wife, then Panella). The lyricists were "at his service" and would submit texts that he made his own to the extent that he almost became a "co-author." Acqua azzurra, acqua chiara or Non è Francesca are in every way Battisti's songs, and the fact that the lyrics were written by others is entirely secondary in this case. In short, he was a singer-songwriter with the peculiarity that the lyrics were written by others. The singer-songwriter walks in their own artistic territory, while the interpreter walks temporarily in someone else's territory, then exits and returns home. In this sense, the quintessential interpreter could be Mina, who sang the Beatles or Neapolitan songs. There are no albums like Battisti sings the Beatles or Battisti sings Brazil. And we can't even imagine them, precisely because he was not an interpreter. When the interpreter Mina sang Battisti, she sang songs written by Mogol. But it was always Mina interpreting Battisti. A thorough and passionate analysis. I find it well done. Well done.

One beautiful thing about Debaser is that at 54 years old, with a collection of over 6000 records, I can still find corners of unexplored music inside here.
The first part of Eddie Rosner's journey, who fled from Nazism and ended up in the clutches of Stalin's communists, rehabilitated after a few years in Siberia, is similar to the story of many born in the wrong place at the wrong time.
The second part, however, is more particular. I would say very unfortunate. The end in loneliness in a shabby room in Berlin is truly sad.
Lector, I like to think of you as a friend, even though we don’t really know each other. You can tell so many interesting things, and you do it well. By the way, you are one of the few capable of writing well without boasting about your own stuff like many of the "best pens of Debaser" do (the quotation marks add an ironic twist). These days, besides COVID, there seems to be an unprecedented pandemic of egocentrism. I wonder why.
Congratulations, I have a lot to learn from you.

the versatile bassist, the Crimson King, the trailblazer... JonnyORiley87, you've written a review that couldn't be more traditional. For me, who has loved Robert Fripp for 35 years, this album isn't the best, but Fripp's standard is so high that even a modest King Crimson album is still something worthy of utmost respect. A 3 and a half star album, a review close to 4 stars; in short, I align myself with the ratings of dsalva, 4 and 4 and that's all there is to it.

I remember that I liked Illinoise a lot.
A phrase comes to mind that Raffaele Cutolo said while talking about one of his bloodthirsty multi-murderer associates (nicknamed "O Animale"): "...he is just like that, he's an unfortunate guy, but if you go down his road, you'll find him."
Sufjan Stevens has always done that kind of stuff, and back in the days of Illinoise, he did it well, but I wouldn't know now.
If you go down his road, you'll find Stevens. But you're not obliged to.
If you go looking for trouble, don't complain about the crushed testicles.

beautiful intriguing page. The experimental period of Patti. I need to delve deeper into this thing.

I admit that I am confused. At first, I took it seriously, then I convinced myself that it's a fake. Now I see that he is trying to address his shortcomings. Of course, if he is a very young enthusiast and not a fake, he deserves encouragement (and not comments like the ones I myself directed at him. If he’s not a fake, I genuinely feel sorry). For now, I’m a bit confused. The space for potential improvement is immense, and it would be wonderful if Debaser could be, for this young person, a training ground to practice writing well about music and other things he loves. For us, it would be an honor and bring a new meaning to this place (which wouldn’t hurt, given the den of "gatti acidi" - to quote G - that it increasingly resembles). I’m still not entirely convinced, but let’s see how it goes.

great Steve Hackett. It’s him and his unmistakable style that made me fall in love with Genesis. His departure was a tough blow for the band.
Anyway, he has changed a lot over time. In any case, I still like him a lot now.
Great review.

Tonight, you'll notice a certain cheerfulness at home, with mom and your sister all happy.

Game Over
they've caught you, poor fool