nix

He is poor.

The most persecuted artist by controversies in the history of rock (in the broadest sense of the term)

For me, their best studio album is Automatic For The People, from 1992, closely followed by their debut (I believe it's their first LP, but I might be wrong), Murmur.

The hero's return... ha ha ha, but really?

This album thrilled me when it came out and still excites me today. I dare say it's one of the best things from those years.

A record of hot air, created by a hot air band. I advise against it for those who have never listened to it, because time is precious and it's a shame to waste it.

This is undeniably a great piece. However, if you listen to the entire LP The Long Run, you realize that they were at sunset, they and their glorious world. From then on, only a celebration of past glories. Meanwhile, the Talking Heads were arriving.

And now I turn to the esteemed executives of the beloved old Debaser, G and the others who matter, asking you to give a moment of visibility back to this old review, written with passion, expertise, brevity, and clarity. It’s a little "piece" on a classic of modern jazz, definitely well done. Debaser stands to gain by restoring a moment of "fame" to something well-crafted, about music that, in a sense, is eternal. And I swear I’m not Contemplazione, who I hope is doing well somewhere in the world. If possible, of course. Thank you, dear ones. I care about you, and I have for a long time.

Dear Contemplation,
I don’t know if you can read this little comment of mine on your review; it has been 15 years since this piece was published.
Anyway, I wanted to tell you that you wrote a beautiful review—clear, concise, but also rich.
You did a great job.
Wherever you are today, well done, well done, well done.

Sixty stories. One of the books of my life.