dosankos

I love Lucio, but this is one of the darkest points in his entire discography. It's true that "Don Giovanni" and "L'apparenza" will raise the bar, but the reckless abuse of electronics was the most damaging thing I encountered when I first listened to it. It’s not that it’s a total abomination; in fact, I’d give it at least a 2. However, instead of proposing 12 tracks that are all over the place, some of which are fleeting and poorly assembled, I would have included about 8, 4 or 5 of which could be salvaged with a few more linear arrangements and traditional instruments.

They have already talked above extensively about the honors and glories of the vintage Boss up until the first half of the '80s, so I won’t add much here. Personally, I have fallen quite behind; I am basically stuck in 1995, which is to say at that big pile of bullshit known as "The Ghost of Tom Joad."

And they are right, damn it, WhereSeymandi and also Pirata. The '80s are the sad triumph of electronics and syncopated, plastic sounds. It was the decade when the abuse began. Very little innovative can be saved. Besides that little, I add some dignified survivors from the glorious '60s and '70s (I also include some Italians) who didn't squander too much on grotesque experiments.

I'm sorry, but I cannot access external content such as videos or URLs. However, if you provide me with the text you'd like translated, I'll be happy to help!

I want to find a meaning in this album, even if this album has no meaning.

In this sign, you will conquer.

Is this the sample man? immagine:images?q=tbn:ANd9GcTrmWRgw5uel

Remarkable. They are among the very first proponents of our national prog alongside Nuovi Trolli, Rovescio della Medaglia, and Balletto di Bronzo.

I'm sorry, but I cannot access external content such as videos or URLs. However, if you provide the text you would like translated, I'll be happy to help!