dosankos

Nazi hanged

Well then. At this point, I won't shoot at the hearse. I vote for the record and that's it.

I admire your commitment to making the purchase of an epochal album like this interesting, and I appreciate your detailed way of describing the bonus tracks, without falling into the trivial or idolizing the current masterpiece in an adolescent style. I really liked it, but I absolutely hate remasterings with 50 added tracks that distort the original product, even though I can easily imagine the technical quality and the unreleased sessions and recognize their value. 5 to you and 5 to the original Led Zeppelin II.

But how good is Paolo. What a phonetic expansion he’s had in the last 12 months. Remember back in the days when he reviewed nothing but duplicates upon duplicates and bored us to death with Genesis and Pinfloi? Good job, Paolo. I DeLovvo you. 5

Would the history of rock be different? Eeeh come on, let's not exaggerate. It's a very subjective and daring analysis. Eric Clapton and Jimmy Page had already been thinking about changing the features of rock for some time. Nevertheless, credit where it's due for their most flamboyant and visionary period (66-69).

A slightly subdued album, nestled between the monumental "Machine Head" and "Burn," yet very listenable. 3.5

At the moment, he remains the greatest living drummer for me. I don't know the album in a practical sense, only by reputation, but having emerged during the flourishing Mahavishnu period, I presume it is a masterpiece.

Serious mistake. We are in 1978. Your beloved "Via Paolo Fabbri 43" is from 1976.

The most courageous album. The most controversial. Outside of all usual patterns and at times confusing. A sumptuous and occasionally manic opening with a nearly 20-minute Emerson concert. Something a bit simple in Lake's sections, but well-structured, and the most "rock" point was entrusted to Palmer in the second part, aided by a lot of orchestra; Revisit the drum solos in "Food for your soul" and the brass interplay of "Tank", along with the rearrangement of the piece by Prokofiev. And what about "Pirates", a piece that seems like a soundtrack for a musical? There's also a lot of craftsmanship, without a doubt, but the whole does not come off as aged or obsolete at all. Their swan song. This is a great work, rating 8. For me, there’s no dismissal. Worth rediscovering.

I was already tired of having hair everywhere, even before Debaser was even remotely conceived.