fiquata

Cold, take Gustavo and play football on a street with open manholes. Two pigeons with a manhole.

Gustavinho, what the hell are you talking about if you haven't seen the movie? How can you understand the critiques made about the review if you don't know the object being reviewed? Is it your sixth sense speaking or the desire to find that blessed INPS employee that's driving you to this? Changing the channel is a sixth sense!

Look, you made a fool of yourself; it's pointless to beat around the bush. You make me laugh and blablabla. Idiots irritate me; I don’t find it funny. You could try to argue, but apparently you’d rather not. Or would you? Go back to reviewing Facebook, you halfwit.

"a US version of Wire's 'Pink Flag'" Okei, the search begins. Even though I root for Chairs Missing.

Oh no, this one didn’t understand a lick of the Coens at all, to the point that until last year he called them CoHen with an ‘h’ and transformed the film title into "BURN after reading." Just think about how much he’s delved into the cinema of these two "misfits"! Twenty films and there isn’t a single character, not one, that’s "normal," to use a word the reviewer might grasp. The character that’s barely more "normal" is the pregnant policewoman, with her clueless husband, from Fargo. Or Bardem as the serial killer in total jeans and a hideous haircut who kills with an air tank... and this just to say that a "praise of normality" could only come from these two wackos, the Coens. This is their language; if you don’t like it, keep your distance, save yourself from looking foolish. But the embarrassing thing is that this guy watches a comedy looking for a hero, as if it were a film about Ken Saro-Wiwa. Then they say that teenagers imitate Manson; just think about this one who picks the Dude as his hero. Oh no, it's the Coens' fault: "I was referring to the fact that the Coens managed to make me laugh out loud by turning misfits (like The Dude) into heroes to be idolized in every direction." In short, if someone is slow, they slow everything down, even a great film. Anyway, if the reviewer is looking for heroes, he could review an episode of Power Rangers, obviously throwing in Facebook, since he loves that so much. Strongly advised against, however, is Twin Peaks: it could turn into a cocaine-addicted transsexual following in the footsteps of Laura Palmer.

I confirm, pure Brontosaurus crap. Anyway, the Falchi's tits had a reason for being.

Clearly, the dog is as stupid as its owner. Be careful saying this crap: the Coens might choose you as the protagonist.

Sure, romantic movies. We were just missing Kevin Costner :) Kosmo, I'll send it to you, but keep calm, okay!!! Leave the horses alone. They haven't translated the book into Italian, I get tired of reading novels in English. Okay for the documents, but I'm not up for novels.

Eh, but Dries isn't better than Coen. Coen rapes, but he doesn't exploit. Dries, on the other hand, exploits his fellow man. That's why I said, they're just on two different levels, neither of them better. They accept and tolerate each other from a distance, they say they disgust each other and yet they move on. I don’t know, they all disgust me enough for how real and disloyal they are to one another. In the end, Dries saves himself because he manages to be empathetic, at least towards one person (his wife). The others are all caught up in themselves. And I think the ending is in the beginning of the film. At the start, Dries says he does it for "the experience," to see what the lives of disgusting people are like knowing he can go back. In the end, he organizes the finale so he can go back, because he realizes he’s as disgusting as the others. And where does he return to while the others do what they do? Who does he stay with? :) I don’t think there’s a way out. Anyway, I recommend two films: "Time of the Wolves" by Haneke (without a soundtrack and it has a chilling effect) and "Gummo," where the soundtrack features Sleep... and they rock. Both films are very Hobbesian like this one. They all belong to the same family, this one maybe less intellectual and more direct.

Fuck, do people still use the word "misfits"? Are they still calling them "inverteds"? Is Lombroso still judging criminals by their physical traits? But above all, why should the Dude be a hero? When have the Coen brothers ever portrayed one of their characters, in any of their films, as a hero? What the hell does one need with a hero? Being a hero takes effort; it’s easier to get stoned in a car while listening to the Creedence, right? Finding a hero in the Coen's work is a joke since they've made 20 films and not one hero... what are these pieces of crap films without a hero? A hero has to be there always; what kind of film is it without a hero? These and other questions in tomorrow's edition of Tirreno. Attached, a hero rated 1 to 10.