alia76

Yes, I read and I’ll raise you. It's cabaret. It's Massimo Boldi. And poetry doesn't "come into being," I repeat, poetry "is created." So even the talk about commissioned poetry...

for me it's a no (for now). sorry, Sanguineti passed away a few months ago and we're coming out with Bum bum bum? it's cabaret. (with all due respect) the interview is very enjoyable. and anyway, thank you.

Well! @KOSMICA: I don’t think it’s a matter of education, especially when the path you want to take is so different from that of your parents that even dear old parental wisdom feels lost. When you say "I’ve never needed to read a book," I can’t understand if you mean that you can find within yourself the ability to orient yourself immediately in front of a "theft." Because this is about a theft. Like when thieves break into your house, that house you left in order, with everything in place where you know it should be. The theft of your certainties, earned up until that point. If that’s the case (and I believe so from what little I know of you), I admire you. Aside from that, I agree with you about the fathers and will get back to you in a private message. Kisses.

Jay Kay's brand is unmistakable. However, I preferred him more when he was considered the heir to Stevie Wonder rather than Cerrone.

Yes. Vanoni is a great. I don't think she has aged very well (see her latest television appearances where she appears slightly tipsy), however, as a voice she is still perfect and in tune. This album tempts me, but I would prefer to focus on an album of unreleased tracks from the latest Vanoni phase. What do you recommend first?

Wherever Tilda Swinton is, there I am too. And in that labyrinth, she was running away from me :-)

@FOSCA: really? I'm so happy that you appreciate it too. deeeemeeeeeeeting asap, dear. @ZARBO: thanks. the girl grows better with each record. I love the alternation between warm choral tones and her baritone speaking. @SCHIZO: is that the purpose of deb or not? let me know. orevuà(r)

Thank you. I don't know how many times I've rewritten this "review" in a year. @BARTOLO: thank you, I hope to see you again soon. @KOSMO: I want you immensely too (while, who knows why, I keep dreaming of you ab und zu :-) @FEDE: good luck. From the bottom of my heart. @DRUNKEN: thank you for the wish. I'm almost there.

Terrible. But he acts so cool when, in reality, if you see him, he’s as big as Notorious B.I.G. Anyway, Darius, have you ever heard of Maxwell and D'Angelo? Go there if you want the soul-pop of the new generation. Regards.

Jane Austen has always been a woman with guts. Her writings do not glorify romanticism but rather banish it in favor of a more "intellectual" sentimentalism, and thus, more measured. A precursor of sharper feminism (following in the footsteps of Virginia Woolf and Germaine Greer), she had to disguise her boldness in a witty writing style that revolves around the waltz of contrasts (reason vs. sentiment; pride vs. prejudice). A truly remarkable woman. This is a minor work, yet it is very "major" compared to others of her time.