macaco

DeRank : 15,22 • DeAge™ : 6129 days

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  • Here since 21 september 2008
Voto:
It's not a genre I frequent much, but I also have my hip-hop album to which I'm particularly attached. Terra di Nessuno by Assalti Frontali came out when I was twenty, and it was what made me appreciate certain anti-system positions, a theme that seems to have sunk today more than ever; if there are exceptions, I'm all for it.
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Attempted to know the subject and got lost, at least that's how I remember it.
Jah Wobble in my interpretation means that Jah, Javé, Jeová is a wavering, hesitant god. Maybe I'm rambling...
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But how? One appears and so does the other. Anyway, welcome back, or welcome back...
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Finished it last week. Truly intriguing story, I would have preferred a writing style that was a bit bolder, but maybe it's the translation into Portuguese. And this book further confirms that functions, no matter how brilliant, no longer interest me.
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He is the artist I can best identify with; for the power of the creative action through an immediate gesturality, intrinsic to his works, for the exuberant materiality and the mystery of not being able to understand where that beauty comes from. Perhaps he managed to communicate the abyss without filtering it through the cognitive side, the unexpressed thought manifested not in words but in the action preserved over time by the material itself.
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It's all smoke and no roast, always from the perspective of using ideologies to divide the people. In the end, the powerful don't believe in ideologies, unless they serve their interests. The new left also feels entitled to censor those who oppose this strong trend of giving voice exclusively to civil rights issues and never to social ones. Ultimately, I find it much more interesting to investigate the reality of a Nazi international than to entertain fanciful fascist regurgitations; the pseudo-democracy established does exactly what it needs to do.
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The writing brought to mind a story by Borges, where a writer rewrites Don Quixote. He rewrites it exactly the same, not copying. Hence the tremendous genius.
Did these PDM perhaps do the same with disco music?
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Just by sharing the stage and studying with Bruford, Stewart, and Holdsword, three of my favorite musicians, she elevates herself to the role of a female icon in a field where women do not always manage to carve out adequate spaces.
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never listened, why?
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The cover is very significant, it seems to promise interesting content.