SQUIREISGOD

For those who love black, it's a must-have purchase.

Music aside, were those pig-like grunts really necessary? They could have gone straight to a pigsty to pick the singer.

I've never really been able to swallow "Larks' Tongues In Aspic"; this one, "Fracture," is a true masterpiece.

I haven't listened to Queen in a very long time, but at 13 they were the first band I followed, just a few weeks before Freddie's passing. I believe they were a singles band, in the sense that a lot of their albums have many songs that are hardly noteworthy, but there's (almost) always a good single. In the first two "Greatest Hits," out of over thirty songs, the only one that makes me laugh (or cry) is "Invisible Man"; the third GH, on the other hand, is the most shameful and pointless compilation ever released.

I love Caravan, especially this album, great Pye and Richard.

An essential album just like the director of tg4 for information. And during that time, the members of the group would say that Owens sang better than Halford; not even they believed it.

I am astonished, truly Mr. Brian May would have played with that infamous band of five clowns?

So, among the comments, there is mention of the magazine "Rolling Stone," which a few years ago compiled the rankings of the 500 greatest albums and the 100 greatest guitarists; in my personal opinion, the results are, in many respects, an outrage. A few examples: "Ramones" at no. 33 and "Aja" at no. 145 (!), not to mention "Trilogy," "Close To The Edge," and all of prog, which should be avoided like the plague. J. Ramone and Cobain before Zappa and McLaughlin, Steve Howe at no. 69 (huh???). A disaster. If they make a list of the 100 greatest bassists, they'll probably favor Sid Vicious and put Geddy Lee and "someone else" at the bottom. As for the best songs, Wikipedia: - "Another common criticism is that the list overlooks new musical genres like hip-hop/rap": oh yes, the rap of scoundrels like Eminem to complete the work. Not that everything on the three lists is to be thrown away, but there are many debatable points.

The result of this tour "House of Yes - Live from the House of Blues" is an unprecedented farce. Close to "And You And I" and "Perpetual Change," songs like "Lightning Strikes" and "Face To Face" make the chickens laugh. Yes frankly embarrassing for the entire nineties, except for the tracks from "Keystudio."

Dissident, you don't like the album and your criticism is legitimate, but for calling it "a little castrato voice" and "depressing clowns," I say: you're an absolute fool. I rate the album 4.5.