cabernet

DeRank ™: 0,16

DeAge™ : 6658 days • Here since 18 march 2008

Wolfgang Amadeus Mozart Complete Piano Concertos, Vol. 11

7 sep 11

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Beautiful invitation... I am particularly fond of Mozart's piano concertos; my journey into his music started with the complete concertos played by Geza Anda... It's obvious that Mozart's mature work is something else entirely, but let's say that these compositions, written by an 11-year-old, tell us something about what he became just a few years later!

Vinicio Capossela Live @ Lungomare Calasetta, 15.08.11

19 aug 11

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Yes, these are concerts that leave a lasting impression! I’ve seen him twice on this tour, not because I forgot, but to experience again the joy and deep satisfaction of being there. As Vinicio recently said, "there's no limit to the best," and he is proving it!

Fabrizio De André Vol. 1

15 jul 11

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a record that makes it clear how De André's words have always weighed like stones, irreplaceable both from a "formal" and "emotional" point of view. The review may not say anything new, but it's always worth recalling this album.

Vinicio Capossela Marinai, Profeti e Balene

6 jul 11

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...I wanted to give it a 3, but in relation to my tastes, certainly not to the quality of the review which is a 5...

Vinicio Capossela Marinai, Profeti e Balene

6 jul 11

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What you're saying, you say it very well and it's completely understandable... but it's all so cold, I would dare to say so little "debaseriano"... mhà... the more I listen to the album, the more it seems to me to approach a masterpiece...

Fabrizio De André Una storia sbagliata / Titti

2 jun 11

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Well done, beautiful review! De André's every song was graced, if nothing else, by his voice, but the period from Rimini to Indiano, let’s say the one involving Bubola’s collaboration, is the one I find myself listening to the least. I'm not a big fan of Bubola, and I believe he is the "collaborator" who has contributed the least to the evolution of Fabrizio's brilliant career.

Vinicio Capossela Marinai, Profeti e Balene

9 may 11

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I agree with ZANNAB, I have never been particularly interested in digging into who copied whom or what, except out of mere curiosity and the pleasure of knowledge; I don't believe this can have an emotional impact. Everyone, in some way, has absorbed things from others, metabolizing them, and then circulating them again, making them their own. I think it’s precisely the act of “making one’s own” an external source that distinguishes an artist from a "non-artist." From De André to Mozart, there are many external quotes, but that doesn't make them "less" artists than others, of course!

Vinicio Capossela Marinai, Profeti e Balene

6 may 11

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@Giola: haha but the leap from cabernet to vin santo isn't that short! Anyway, unfortunately, as I mentioned earlier, I'm not from Zena, I'm a "magnagati", but every now and then a pilgrimage is a must for me!

Nanni Moretti Habemus Papam

6 may 11

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Everything's fine, but how can you not love Clarks!? Anyway, as a fan of Moretti, this film fell short of my (high) expectations, especially the second part... Most emotional moment: "Todo Cambia" sung by Mercedes Sosa....

Jovanotti Live @ Caserta, Palamaggiò 29.04.11

3 may 11

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Taking her to see Gigi instead... that would have been a great demonstration of love! An immense demonstration of love! A beautiful and entertaining review...