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Beautiful. A step forward from Everyday Robots, which already had a significant impact on me. The award-winning duo Albarn/Coxon is spoiling me with an embarrassing amount of albums; I’m starting to struggle to keep up. To give you an idea, I still haven't managed to listen to Coxon's supergroup (I think it's called Jaded Hearts Club).
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At least you would be consistent, even if Troisi uses a dialect much closer than that of Zerocalcare. In short, anyone can understand it, as many people above have confirmed.
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5 and it's even a little. The controversy over Roman dialect is one of the most annoying issues ever, and not just because I’m Roman. The perception is that, not knowing what else to criticize in a work like this, they latch onto the Roman dialect. Fine, well done. Go ahead and attack Troisi for his Neapolitan too. An endless sadness, really.
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I haven't read it yet, but for the return of teenage 5, obviously!
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When I found out about Coxon's presence, I was quite surprised. Maybe it's the perfect opportunity to try listening to one of their albums.
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This, TuttoBenigni, Non Ci resta che piangere, Il Piccolo Diavolo, Jhonny Stecchino, Il Mostro, La Vita è Bella, La Tigre e La Neve. A giant.
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Well, after '97, Wilson has released: 1. The masterpiece by Porcupine Tree (In Absentia) 2. A solo career with at least one masterpiece (choose between The Raven or Hand Cannot. Erase).
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Really beautiful series, one of the best in recent years.
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Alright, you’ve got me, I’ll look for it, I’ll listen to it, and I’ll come back here to rate the work with stars too. And not because of the references to Clash, Ramones, Sex Pistols, Husker Du, Joy Division. And not even for drawing the parallel with Warehouse: songs and stories and London Calling (even though I admit that was the final blow). Just for the way you presented it. The cover looks cool too, check it out.
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Ehm Graham Coxon from Blur