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@the Sicilian I repeat, Benigni didn't want to create an accurate historical reconstruction; his intent was to make poetry, to work on emotions. Therefore, rather than a deliberately approximate reconstruction, he made a necessarily approximate one, especially to keep the child with the father. Without this device, it wouldn't have been possible to make the film.
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thank you boyintheocean!
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"look how yorkeee dances look how yorkeee dances it’s really the end of the world look how well he dances":))))
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thank you to all the last ones who passed! what I think many people haven't understood is that Benigni never intended to make a "historical" film about the Holocaust, that's not the point of the film @cappio doesn't just get old and @geo what's your favorite by Benigni? hello and thanks again to everyone
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It's good, but as I've written before, the track by track is heavy and boring. I also noticed the PAZ on the cover; if I'm not mistaken, he made three others: Il grande sogno, Montecristo, and Hollywood.
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thanks to everyone guys @teenage and dark thank you so much friends for the lovely words and the special appreciation, a piece of advice: watch it guys, the worldwide success it has often makes some people underestimate or snub it, but it’s really a great film @ felo ok take care lodovico also for benigni :)))))))))
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Is this album really full of guitars like Josi says? Because listening to the single, it wouldn't seem so.
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Aren't you exaggerating a little, Mike...?
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Great review, awesome movie, I found out, among other things, that they made a Middle Eastern version of it a few years ago if I'm not mistaken.
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I like Temple of the Dog a lot, but when I compare it to Nevermind, I have to place it in second place. Well, I'm a Nirvana fan, so...