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Seen on Netflix, excellent, I had never seen anything by Garrone before.
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I've definitely seen it, but I get the Paranormal Activity movies mixed up after the first one (which I still liked, even though it's not exactly the pinnacle of the genre). We've talked about it often with @[snes]; there are some real little gems in the genre that are unknown to most people.
Slint Tweez
2 mar 20
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And at this point, I will listen to it; the enchanted atmosphere of Spiderland struck me immediately, but then I didn’t take the time to delve deeper.
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I think a review like this could pique a lot of curiosity, especially for those who are not familiar with Spiderland, which obviously deserves a 5, just like the review. I have never listened to the debut album, though; I will go read the one that was just published.
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@[G] small error in the title entry of the work: it's "Okay" and not "Ok," I don't think it's a problem but I want to point it out, thanks as always.
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One of the beautiful things about this place (I mean the Deb) is that I find myself with people who experience music in the same way I do, that is, totally. This review captures well what I mean.
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Luludiana to the core, after all, if it wasn't luludiana a review on the Beatles song preferred by Lulù (so it’s luludiana as well), what other review could possibly be more so? (Those about Barrett aside, because those are the quintessential luludiano model). As for the piece, I’ve always found it an altered hyper stream of consciousness.
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Mmm, I even feel like picking up some Dylan Dog again to have a precise opinion on this turn in its seriality: but the point, in my opinion, is that at least they are trying to revolutionize everything: will it turn out well? Will it turn out badly? That remains to be seen, but the point is that they have tried not to let one of the most important comics of all time (not just Italian, at this point) remain the same forever. Don't you think that's not a small feat for a comic that was born in '86 when the concept of continuity in comics in Italy was still unknown, and thus started out as a series of standalone episodes? Of course, we all know that the golden age of Dylan Dog ends with issue 100: the series actually ends there, since issue 100 was intended as a concluding number, it almost seemed like they knew it on via Buonarroti, that with that comic, they couldn’t go any higher.
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Oh, but she's right, destruction! When have you ever given a 5 to an album?!
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But is a review really necessary to understand the high musical level of Sanremo?!