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Finally, someone has written it! :D A really great album, definitely a solid 4, his research journey is undisputed, and the fact that he is among the great British authors (alongside Coxon, of course), even though the compositional peaks in Blur remain the highest he has ever reached, where he had already explored a wealth of genres.
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I only have Different Class and the next one I need to catch up on is that This Is Hardcore you mentioned; then maybe it will be time for this one, great review Lao.
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assuming hyhy, always and anyway, that tastes are tastes, it seems to me that there is a lot of prejudice regarding this return of the goblins, which in my opinion is worth 4 full balls, @de marga thanks :D I had actually jotted something down, but I wasn't entirely satisfied with it and put it aside... for now at least, but I plan to pick it up again.
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But are we sure we are on deb? Not a review, I mean one about the new Pixies, Motorpsycho or Albarn and regarding Coldplay we are among the first to review them. Who knows, if we compare them with '90s English rock, even in their most inspired moments they really don't amount to much (but even without comparison, it’s still the same). The second and fourth albums were enough, a few nice tracks on the others (above all an emotional Fix You), but still, it's a bit too little to justify what they manage to sell and stir up.
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Hey! Well, what’s all this about?! Is the sex appeal out of style? Don’t mind them, Darius, just look and move on.
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Today I heard an old song by Venditti (I think) on the radio: it talks about a journey through the streets of Rome (it mentions "the Capital" several times) during which, despite a thousand difficulties, he and his partner manage to find time to hook up in the hope of procreating, dreaming of naming their children "Roma" and "Cuppolone." Based on this clue, can anyone kindly recall the title? I believe it was part of a suite divided into 2 CDs.
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I don't know about you, but I haven't been able to stand this for twenty years.
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where's teenage?
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"THE ORMEEEEEEEE!, THE ORMEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEEE EEEEEEEE! GABIDOOOOOOOOOOOOOOOOOOOOOOOOOOOOOO O?!"
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the splendid Autogrill and shomer mali laila (or whatever it's called) are the ones that have stuck with me the most from this album, which is still absolutely good. I haven't listened to Guccini in ages and I don't feel like voting for him (aside from Radici, which is obviously a flat 5). I should re-listen to many of his albums; it's clear how much you care about this record.