UhuhPanicoUhuh

DeRank : 7,14
DeAge™ : 6755 days • Here since 13 december 2007
David Pajo Pajo
David Pajo Pajo
28 feb 10
Voto:
@Festwca: yes, maybe I didn’t express myself clearly, but I meant to differentiate them as well, saying that chronologically the Slint were perhaps the first, but they aren’t exactly "post rock", a bit like Black Sabbath for "Doom" as Caz said. While if I have to link the genre to a certain type of sound or structure, I definitely prefer to associate it with Mogwai, who essentially emerged with a certain awareness of "post rock."
1905 Voice
1905 Voice
27 feb 10
Voto:
Nice little disc, then I quote Gnagnera, when he doesn't scream he has the stereotypical voice of the 1000 American punk-melodic groups.
David Pajo Pajo
David Pajo Pajo
27 feb 10
Voto:
While acknowledging Spiderland as the first post-rock album, I just can’t seem to digest any of Pajo's work. Regarding his work with Slint, it’s as if they created the genre without realizing it, only to leave it to Mogwai to give it an identity.
Bohren & der Club of Gore Gore Motel
Voto:
well merkful, I also rated it a 3 on the first listen..
Povia Scacco matto
Voto:
We brought home the day with Skeletron, huh! :D
Bohren & der Club of Gore Gore Motel
Voto:
:D (at this point I'm really curious to see your first proposal)
Bohren & der Club of Gore Gore Motel
Voto:
Look, I didn't make any references to specific pieces or to the structure of the piece in general because I see it as an ambient album to let yourself go (perhaps at night) and listen to it all in one go, but if you want (with good will), the sound references are there. Of course, I forgot to mention the essence, the fact that it’s an intertwining of guitar and bass with the drums setting a sluggish tempo. ;) Pupo was an example, the first that came to my mind given the topics of these days. You surprise me a bit, Abulafia; I wouldn’t be able to remember all these details about an album I didn’t like at all... :P
Clint Mansell The Fountain
Voto:
I like your style, but this time I don't agree with your first point. I love soundtracks, and cinema is by no means the older sibling; rather, it's the younger one that seeks help from the older to give more meaning to its images. Immense disco.
Bohren & der Club of Gore Gore Motel
Voto:
"It is worth noting how doom isn't that objectively different from cheesy pop" you might be right, indeed for me listening to this album isn't so different from listening to any song by Radiohead, for example. Then there's also the issue of coherence: judging by your first comment, they managed to achieve what they had envisioned. Cheesy pop isn't that transparent, it messes with you, let's be honest, and it really only manages to be that "cheesy" with the morons who voted for Pupo and the prince, for example. One feels bad listening to this music, but at least one doesn't feel fooled. Regarding the poorly played aspect, in an album played so slowly, it doesn't really matter that much. There might be a few notes slightly out of time, but playing this slow isn't that easy, and yet just like you like Kandinsky, I find a unique and devastating sound here.