Rooftrampler92

you write well... I also read your review of double nickels on the dime, one of my favorite albums... concise and well done... I like how you write... this one isn't bad either, even though this band...

I watched the video for Empty Walls and then I downloaded it... it's not bad, but compared to the systems of toxicity, violent pornography, Innervision, and the others, it's a bit worse...

it's horrible. simply horrible. him and his nursery rhymes. he looks like he came out of Zecchino. in the past, he had already sullied the names of Soft Cell, Eurythmics, and many others with his horrific covers... now he doesn't even make sense on stage anymore (I remember his shock metal concerts with a tub full of blood and him bathing in it, or pissing on the audience while they drank)...

It's one of the best by Queen, this album... it certainly doesn't surpass A Night at the Opera, but it's among the best... it may come off a bit harsh, but it definitely deserves a passing grade...

The review isn't bad... I’m not criticizing you because this album has already been reviewed, since today or tomorrow you will find my review of Blood Sugar Sex Magik by the RHCP (I did it because none of the BSSM reviews match mine).... Incesticide isn't a bad album... I used to like Aneurysm quite a bit some time ago... now I don't listen to Nirvana that much anymore...

Graham Coxon is better off without Blur... I’ve never heard the album... but all the members of the former band are valid because they all understood that Britpop was pretty much over (by the end of the '90s). Something that a band like Oasis still hasn’t grasped...

Zacchete...

Ah, here’s the vote...

Well... in your review, you show that you know enough about music to judge... and you have a good critical spirit... but I don’t fully agree with what you said... for all the musicians today, it is very difficult to create completely new pieces (also regarding the notes and various chords), because most of the indie rock bands and similar ones draw from the style of '70s punk, '80s shoegaze, and '90s Brit, modifying it only partially and not completely overturning it... today, it's hard to make music because if you don’t copy something, you don’t get anywhere (this is also due to the fact that the masses appreciate a catchy and heavy riff more than a complex and adequately structured composition). If you go to a record producer today, show up with a mustache, dressed in a hippie outfit, and strum your Fender to the notes of Gumbo Variatons by Frank Zappa, no one will give a damn (with all due respect to Zappa, who is one of my idols)... instead, if you go in a tight t-shirt of Blink 182, Sum 41, or similar stuff, you'll sell money by the boatload (and that’s what the producers want)... so we should do like that piece of shit Tarantino (another one of my idols) and say: "a good artist doesn’t copy, he steals"... but let’s keep loving true pure rock in addition to the passing songs of today...

I've already read the other thing... anyway, great album... there's no denying it...