Rooftrampler92

There’s one that’s really famous (they even use it on TV in some programs sometimes to provide background for romantic scenes); I don’t remember the title now, but I had it on the other PC. Anyway, it sounds very noir to me. Great music for a soundtrack. Well done, telespalla.

But where did this Mr. T. come from? Who knows, but it almost attracts me, a bit Air, a bit indietronica...My God, what a story the review is; when I had eMule (now I have Torrent and LimeWire), I never happened to catch a fake. LimeWire, on the other hand, is full, really full. It can download a porn instead of PowerDVD.

I completely agree with Twisted.

to Donnie: you can absolutely make music without screwing around on MTV, sending pseudo-social messages to pretend to know everything about the state of the world; Sting and Peter Gabriel, when they had nothing left to write, resorted to "stop the war, peace and love." To correct you: if Caparezza were American and sang in English, at this point, we'd find him with gold chains weighing three hundred kilos around his neck and rings on his fingers. Last point: my money goes to the artists I listen to, not those I merely hear. Well, I hear Caparezza (I download him, I watch him on YouTube, I see him at the May Day concert), but I listen to "PincoPallo" (I buy his album, put it on the stereo, and enjoy it on the couch while eating).

No Donnie, that's not how it is. And he's not niche at all. This is stage. Quite the opposite.

Reflecting on it, I agree with Alessioiride, especially when he says that it's hard to understand whether behind the "image" of modern art there's a scam or not. Well, modern art is not an object of beauty (exterior or moral or whatever), but it has only the purpose of denunciation or revolt: that is, to demonstrate that the work in question is not only original but assumes deeper meanings (and often stretched to the social, making them even more banal). Now I don't know if any of you read FlashArt or similar, but here every month they serve up stuff that apparently is a denunciation; but if you think about it, there’s probably business behind it. Certain people are fascinated, convinced, and persuaded by the image it presents, and that's where the deception lies. Let it be clear: there are also isolated cases. But come on, after 100 years, the era of "Black Circle" and "Black Square on White Background" must be over. Let's evolve. Like all the pseudo-novelties in this world, this album, despite all our thoughts and opinions, will sell and sell a lot. But is this profit deserved? And above all, if one wants to express what they think through music, is it inevitable to broadcast 3 or 4 music videos on MTV?

The album really sucks and I don’t see all this poetry, and the style is always that post-2000 litfibian one. A little turd teetering between pop and rock with the usual guitar sounds that seem loaded but are actually weak and flaccid. Moreover, the guitar line is not helped at all by the vocals, and that's something that's missing and is noticeable. In my opinion, Cabo is worthless; on his own he doesn't even amount to a hair on Pelù’s cock. Better Pelù solo (another mess) than these little punches. Ah, what a beautiful time... Pelù, Aiazzi, Maroccolo, De Palma, Renzulli. I won’t rate the review out of respect for you and to encourage you to listen to something beyond the thrilling riffs and rough grooves. Think about it.

I quote Bartleboom: I'm quite fed up with telling you "great catch" (and what a catch this time, but who the hell are these people?), "great super," "you write really well." It's becoming somewhat of an obvious thing. So I'm keeping quiet and voting.

I, on the contrary to muitosaudosismo, would give you two points just for the Black Mamba quote... those who have seen Kill Bill (which is completely free to judge it as colossal shit or pure citationism, even though I like it) will know that Black Mamba is a type of snake and is not at all inspired by the song by Motorhead, which is not just the nickname of Uma Thurman/The Bride/Beatrix Kiddo, but is also the snake that Elle Driver/Daryl Hannah puts in the suitcase full of dollar bills that she gives to Michael Madsen/Bill's Brother to reimburse the money for the katana, complete with sadism. So, maybe think it over before you spew nonsense. And then the form...mmh... leaves a bit to be desired. But I see you still have some work to do and you're just starting with the reviews. Aside from this, the album is tough and raw. The healthiest and least contaminated hard.

He'll do it to stand out from the crowd, or maybe he'll do it to attract the crowd... who knows... but I really dig this curly-haired weirdo. One thing is clear though: if Caparezza keeps it up, with works more and more focused on what easily attracts people who are socially "rebellious," he's going to rake in the money by the bucketload. Good for me, good for Caparezza, and good for all the big shots behind him.