desade

DeRank : 0,94
DeAge™ : 6803 days • Here since 25 october 2007
Gerard Damiano Gola Profonda
Voto:
The final scene of the orgasm alternated with everyday images that mimic it is truly hilarious; the socio-cultural value of the film is beyond discussion. Excellent review.
Francesco Nuti Tutta colpa del paradiso
Voto:
I've only seen that abortion called "Il signor Quindicipalle" by Nuti. Now he's practically a human case, I can't see him as anything other than a sadly finished man, and at times deliberately pathetic.
Josè Bigas Luna Uova d'Oro
Voto:
But he's not the one from "Bambola" with the unlikely Valeria Marini?
Ferzan Ozpetek Saturno contro
Voto:
4--, that’s the rating. The film, in my humble opinion, relies too much on clichés of contemporary Italian cinema: the cuckolded wife and the idiotic husband who wants to feel “young,” the Buy, as usual, acting all crazy, the death of a friend and the end of an era... however, we must consider that it revealed Angiolini, who I like in this film, and that, despite everything, the Buy plays the crazy role well, and then it treats the theme of friendship like a poem. I can’t give a lower rating.
Bernardo Bertolucci Ultimo tango a Parigi
Voto:
Are you kidding me? I mean, are you kidding me? In your own review, which has holes everywhere, you emphasize the revolutionary importance of the film and then say that over time it's crap... what does it mean to decontextualize a film like "Ultimo tango a Parigi" when it is precisely the symbol of the '68 revolt? Moreover, you underestimate the historical importance of the work: it brought a breath of fresh air to Italian cinema by reworking the theme of incomunicability, reformulating the language between incompatible sexes. Excellent performances and spectacular sets. At most, the soundtrack by Gato Barbieri has lost the freshness of the past. If it weren't for films like these, films like "Il portiere di notte," "Salò e le 120 giornate di Sodoma" would never have been made. No, I think you must be kidding...
Lars Von Trier Dancer In The Dark
Voto:
A stunning film that leaves no one indifferent. Bjork's interpretation is unusual and surprising. In the general euphoria, I also bought the soundtrack, "Selmasongs," but upon re-listening to it calmly, it’s not that great compared to her other works. Sorry, but why are there two identical reviews?
Spike Lee 25th Hour
Voto:
But to be honest, I haven't felt that much enthusiasm for this film. The plot is certainly not predictable and is developed excellently with a good cast, but I remember that I found it slightly boring.
Steven Spielberg War of the worlds
Voto:
There was no need to review a film like this, not even in the name of the director, irreversibly lost.
Danny Boyle Trainspotting
Voto:
Really well-written review. I watched the film recently and found it to be very original (The scene with McGregor venturing into the toilet pipes is spectacular) and free of the frills with which particularly serious social issues like drug addiction are often addressed.
AA.VV. Barry Lyndon
Voto:
I don't remember what train of thought led my former history and philosophy professor to take us to see it; it's pointless to recount how it ended... I later watched it alone in peace, a masterpiece, no doubt about it. The review is dreadful, it explains nothing of significance, in a word, useless.