Purpulan

DeRank : 2,92
DeAge™ : 6837 days • Here since 21 september 2007
Smashing Pumpkins American Gothic
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Don't worry Blackdogghe, sooner or later someone will definitely tell Bruni that you still love her, and then... you will find a job as a "backup companion dog" at the Palais de l'Élysée.
Smashing Pumpkins American Gothic
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The first edition of "Gish" was released by "Caroline," to be honest, but it’s still a branch of Virgin we're talking about.
Sonar Circle Radius
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Nice, yes, but not a 5 (4+)! Anyway, I don’t think it’s such a "dry" work rhythmically speaking; I mean, Krust, to stay among the heavyweights, is much more rigorous and uncompromising in structuring pieces as exclusive compositions for bass (but also for others) and (at least 2 or 3) drums.
Smashing Pumpkins American Gothic
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S.P., not S.M. (let's not have anyone think I was referring to the Soft Machine ;).
Smashing Pumpkins American Gothic
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"The most important"??! Perhaps among the most famous groups... but if you were to create a list of rock musicians (and I won't go further) who have, in their own way, "created" "new sounds" in the past decade, neither S.M. nor, even less so, P.J. would stand a chance of finding a place on it. To put it another way, a band that has become equally mainstream (probably even more than them) like Korn, in the '90s made a much greater impact in terms of innovation in their offerings.
Battles Mirrored
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Enough with this Don Caballero story, since only Ian Williams comes from that group. And the most eclectic of the bunch, as far as backgrounds go, is Tyondai Braxton (although John Stanier doesn’t lag behind either)!
Billy Wilder Giorni Perduti (The Lost Weekend)
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And what more could we want, Supersoul: Billy anticipating McLuhan's theories, with many regards to Woody Allen!!!
Marco Ferreri La grande abbuffata
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Damn, I always miss the Q in profitable.
Marco Ferreri La grande abbuffata
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Someone might also say, "The ultimate end of any evolution is self-extinction!" But it remains a form of "evolved thinking"... I can't give it a 5 because a film that thrives on "excess" should manage to stay over the top with inexhaustible consistency, but the pace of the ideas isn't always so relentless, and some dead moments (which in other cases would be fruitful pauses for reflection) end up dulling its "ambitious" wings (call it an Icarian flight, a Pindaric flight, or both together).
Billy Wilder Giorni Perduti (The Lost Weekend)
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Hey, Supersoul, "winked"!