Purpulan

DeRank : 2,92
DeAge™ : 6837 days • Here since 21 september 2007
And You Will Know Us by the Trail of Dead Source Tags & Codes
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Hehehehe (twice)... it seems that the "pantomime effect" on this page has worked great, that's for sure... good night to everyone!
Pantera Reinventing Hell: The Best Of Pantera
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Me too... even though the cover of "Vulgar.." doesn't make me look like a very good person (and indeed, I who am belong to the first half ;).
Pierrot Lunaire Gudrun
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The "Hi-Pod" you have is a particularly cute version that always says hello in English?! ; ).
Pantera Reinventing Hell: The Best Of Pantera
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This collection was released as a filler, because the band was completely at a standstill and, after the release of "Down II" (2002), it became clear to most that Anselmo had virtually distanced himself from the Texas combo... and the relationship between him and the Abbotts was nothing short of tense.
And You Will Know Us by the Trail of Dead Source Tags & Codes
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Wow, it seems I'm the only one here who is not nauseated by the subsequent productions. Anyway, given the introduction, I relish it, because if I had to consider the debut of Interpol or, even worse, the pantomimic hyper-collectivized first work of Broken Social Scene as "epoch-making" (thankfully cushioned by the unspeakable horrors of the almost-affiliated Decemberists), it would really turn my stomach... there have been far more significant releases that year!
Bon Iver For Emma, Forever Ago
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Ahahahahaha... but the stereotype is quite worn out... there are people who produce more proto-intellectual droppings than they poop and pee non-figuratively... and then they enjoy themselves with a sea of girls (notoriously in need of compensating for the lack of cerebralism and the excess stink under the frogs)... and they even manage to stuff themselves for free in the trendiest places in the peninsula... (N.B.: any, even vague, reference to Stefano Bonaga is purely coincidental... ; ).
Matteo Garrone Gomorra
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From Garrone's works, I have always had the impression of partial acts; the director's aesthetic growth seems to me continuous and gradual, yet... it still functions episodically, living off "tòpoi," in some cases, exemplary but concurrently frayed... I find it, in short, a beautiful unfinished piece... unable to achieve a clear overall organicity, almost as if it suffers from some form of dysphasia. But perhaps it is truly a precise theoretical choice and a "weltanschauung" that I cannot fully grasp (N.B.: I am speaking at a cinematic level; I couldn't care less about its literariness, since, once the source is chosen, the cinematic creation should be considered a sort of palingenesis).
Deftones Saturday Night Wrist
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For me, the "classic" of the group is "Around the Fur," while "White Pony" is more of a transitional album (perhaps their only one), leading to that style that the last two seem to have crystallized (and here everyone gets to choose whether they like it or not).
Paolo Sorrentino Il Divo
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Wet your eyes (before leaving) and a few stories, who cares about mimesis, this is ars narrandi, that there is a possibility of realistic correspondence is part of the game of mimesis... and this (precisely) is a film and everyone is (nothing but) characters dancing to the rhythm set by mister Sorrentino (who can mock any pretentious act or act of recognition)... and with the rhythm, the gentleman knows how to deal, he shapes it to his liking, with an unusual pantomimic taste... plastic surgery and high cosmetics. (full stop).